Awardees

Jenny Abel

For sound mixing on her first feature length documentary film, Abel Raises Cain, to be screened at the Independent Film Festival of Boston in April 2005.

2005 First Quarter

Kim Abeles

For video editing and construction for the exhibition “Make:Craft” at the Ben Maltz Gallery at Otis College of Art and Design in fall 2010.

2010 Second Quarter

Lisa Adams

For experimentation in video as part of the exhibition, Video Blowout!, in August of 2000 at the Crazy Space Gallery in Santa Monica.

2000 First Quarter

Keith Adkins

To engage a director and scenic designer for the production of his play, Farewell, Miss Cotton, at the Black Dahlia Theatre in the fall of 2005.

2005 Third Quarter

Kelly Akashi

To engage a carpenter for the construction of a pedestal and frames for an exhibition at 3001 Gallery at the University of Southern California in Los Angeles in early 2010.

2010 Fourth Quarter

Cathy Akers

For lighting and diorama-making supplies to expand the scale of the Evolution installation at Honor Fraser Gallery in Culver City, California in spring 2008.

2007 Fourth Quarter

Richard Alger

To engage a graphic designer and add a video component to the premier of the theater work, Monster of Happiness, at the 24th Street Theatre in Los Angeles in summer 2007.

2007 First Quarter

Rasheed Ali

To extend the artist's stay in West Cape Province, South Africa for his concert at the Frank Pietersen Musiek Sentrum in August, 2003, enabling further musical exchange with the Khoisan bushmen.

2003 First Quarter

Rheim Alkadhi

To upgrade equipment and hire an assistant in preparation for a solo video installation at Dobaebasca HQ in Seoul, Korea in spring 2010.

2010 First Quarter

Kirsten Alker

To engage a dramaturg, lighting designer and for costuming for the movement-theater piece A Little of More at the Theatre of Yugen in San Francisco in April 2008.

2007 Fourth Quarter

For travel costs related to extending a series of musical concerts in Moscow and St. Petersburg, following a performance as part of the Novosibirsk College of Music in Novosibirsk, Russia in fall 2009.

2009 Third Quarter

Robert Allen

To add live performance and video to the installation “Hangmen Also Die” for the exhibition OSCENE 10 at the Laguna Art Museum in Laguna, California in spring 2010.

2009 Fourth Quarter

Ronald Allen

To engage a director, designers and musicians for the production of the play Eyemouth Graffiti Bodyshop at Theatre of Note in Los Angeles in spring 2008.

2007 Fourth Quarter

Walter Almora

To purchase and ship traditional costumes from Peru for a dance performance at the Dorothy Chandler Pavilion and for live broadcast on KCET on December 24, 2005, as part of the Los Angeles County Arts Commission’s Holiday Celebration.

2005 Fourth Quarter

Ana Maria Alvarez-Lowe

For travel costs and fees for live musicians to accompany a dance performance by CONTRA-TIEMPO at Casa del Caribe in Santiago de Cuba in summer 2009.

2009 Second Quarter

Ana Maria Alvarez-Lowe

To engage a videographer and composer to complete a video to be screened as part of Contra-Tiempo's dance premiere of sentir at Highways in February 2007.

2006 Fourth Quarter

Ana Maria Alvarez-Lowe

For the production of a video backdrop for the performance I Dream America by Contra-Tiempo dance company at the Unknown Theater in Los Angeles in summer 2007.

2007 Second Quarter

Cristian Amigo

To support fees for musical collaborators, rehearsal time and an enhanced sound system for concerts at the Armory Center for the Arts and Plaza Methodist Church in fall 2002 as part of the World Festival of Sacred Music.

2002 Third Quarter

Jacki Apple

To create a digital photo montage to add to the exhibition Women Artists of Southern California: Then and Now, at Track 16 Gallery in Santa Monica, California in summer 2007.

2007 First Quarter

Jacki Apple

To hire assistants and purchase plants, stones and other materials for an environmental land-art installation, The GardenLab, at the Art Center College of Design in Pasadena, California, opening in spring 2003.

2003 First Quarter

Elia Arce

For the construction of props, rehearsal space rental and the purchase of a traveling computer projector for the solo performance of First Woman on the Moon, to be performed at the Casa de Las Americas / Mayo Teatro Festival in Cuba in…

2004 First Quarter

Elia Arce

For lighting design, props and digital design for her solo performance of First Woman on the Moon at the International Theater Festival of Los Angeles in fall 2002.

2002 Third Quarter

Skip Arnold

To clean and edit film documentation of 20 years of his performance works for the film Skip the Motion Picture, to be exhibited at the Kunsthalle Wien in Vienna, in spring 2004, and subsequently at the Galerie Frederic Giroux in Paris.

2003 Second Quarter

Linda Arreola

For the purchase of wood blocks to augment the solo exhibition “Vaguely Chicana” at Tropico de Nopal Gallery in Los Angeles in spring 2008.

2008 First Quarter

Deborah Aschheim

For materials and labor to expand her solo exhibition, Neural Architecture, at the Laguna Art Museum in spring 2004 into an adjacent gallery space.

2004 First Quarter

Deborah Aschheim

To extend a solo sculpture exhibition at the Laumeier Sculpture Park into an outdoor garden space, in the winter and spring of 2008.

2007 Third Quarter

Adriana Astorga-Gainey

To engage Mariachi Los Torros to create and record music for a performance by Pacifico Dance Company at the Orange County Performing Arts Center in Costa Mesa, California in fall 2008.

2008 Third Quarter

Ron Athey

To engage a cameraman and to produce and incorporate a video component for his live performance of Incorruptible Space [Disassociative Sparkle] at New York University in spring 2006.

2006 First Quarter

Byron Au Yong

For a sound engineer, sound system enhancement and documentation of his musical composition, Two By Four, to be performed by the On Ensemble at Grand Performances in summer 2003.

2003 Second Quarter

Lisa Auerbach

For materials and to construct custom-made mannequins for the group exhibition “Nine Lives” at the Hammer Museum in Los Angeles in spring 2009.

2008 Fourth Quarter

David Avshalomov

For music engraving in preparation for the premiere of the commissioned work “Tryptich” for the Los Angeles Clarinet Choir in fall 2008.

2008 Third Quarter

Dave Hullfish Baily

For video editing and subtitling of a video and sound installation to be included in his solo exhibition at the Secession in Vienna in spring 2006.

2006 First Quarter

Dave Hullfish Baily

To make a handcrafted lamp and to ship work for exhibition in the Biennale D’Art Contemporain de Lyon in the fall of 2007.

2007 Third Quarter

Esther Baker-Tarpaga

To support the travel and participation of Amadou Kiendou, a master griot drummer and singer from Burkina Faso, in the premiere of the dance work “Gnama Gnama Mana Mana Kono/Disorder Inside Order” at the Ford Amphitheatre in Los Angeles…

2008 Second Quarter

Benjamin Ball

To purchase a specially designed cutting die for an architectural installation by Ball-Nogues at the Rice University Art Gallery in Houston, Texas in fall 2006.

2006 Second Quarter

S.E. Barnet

For tape duplication and restoration of the video installation, Mary Shelley's Daughter, to be exhibited at the Arizona State University Art Museum in winter 2001.

2001 Third Quarter

Kelly Barrie

To manufacture and install a mural and to travel to New York for the exhibition Nina in Position at Artists Space in January 2008.

2007 Third Quarter

Bruce Bauman

To extend a book tour in New York and Washington DC in association with the paperback release of his first novel, And the Word Was, in spring 2006.

2006 First Quarter

Justin Beal

For the completion of a secondary sculpture for the exhibition “Not Cooperative” at the Harriet and Charles Luckman Fine Art Center Arts Complex in Los Angeles in February 2010.

2009 Fourth Quarter

Marcie Begleiter

For a video component for the performance piece Meditations: Eva Hesse at Highways Performance Space in fall 2010.

2010 Third Quarter

Scott Benzel

For musicians and additional rehearsal time for a concert as part of “sound” at the Ling’s Road Park Pavilion in Los Angeles in summer 2010.

2010 Second Quarter

Stephen Berens

To make a companion calendar for the exhibition of his photographic series “Every Time I Answered My Door in 2007 (Some Portraits)” at SolwayJones Gallery in Los Angeles throughout 2009.

2008 Fourth Quarter

Lynne Berman

For materials and fees for professional plastic and metal fabrication for the exhibition, Sprawl, at the Contemporary Arts Center in Cincinnati in spring 2002.

2002 First Quarter

Cindy Bernard

For the production of a video as part of a live staged reading of “The Inquisitive Musician” at LACMA in May 2011.

2010 Fourth Quarter

Cindy Bernard

To facilitate the inclusion of rear-screen projection in the performance, projections+sound, to be presented at the Goldman-Tevis Gallery in Chinatown (Los Angeles) on March 17, 2001.

2001 First Quarter

Michelle Berne

To ship three giant puppets to Taipei, Taiwan to participate in the International Paper Art Festival and Winter Solstice Celebration produced by the Suho Memorial Paper Museum in December 2003.

2003 Third Quarter

Ramaa Bharadvaj

For lighting design and props for the dance work, Raja-Mandalam, to be performed at the Japan America Theatre in Los Angeles in March 2005.

2005 First Quarter

Benita Bike

For new costumes, props and artist accommodations related to the performance of an evening of dance at the Oldham County Arts Center Performance Series in Louisville, Kentucky in February 2009.

2008 Fourth Quarter

Jordan Biren

For digital post-production and audio sweetening of two new videos, The Desoto Conquest and My Mother’s House, to be screened in March 2005 at the Pacific Film Archive in Berkeley, California.

2005 Fourth Quarter

Enid Baxter Blader

To support a final sound mix for the film/video piece, Letter From the Girl, Mailed at the Gas Station, to be screened at Location One in New York City in winter 2002.

2002 Third Quarter

Maria Bodmann

To extend the length of the shadow puppet play, Alice in the Shadows, into a full-length work with the addition of two performers, and to move the production outdoors for a production in Chandler, Arizona in June 2004 as part of the…

2004 Second Quarter

Maria Bodmann

To extend the rehearsal period and to engage live musicians for a shadow performance at Springstep in Medford, Massachusetts in January 2010.

2009 Fourth Quarter

Jennifer Bolande

For printing and framing of photographs for a retrospective exhibition at the Institute of Visual Arts at the University of Wisconsin-Milwaukee in summer 2010

2010 First Quarter

Natalie Bookchin

To hire sound and title designers for the enhancement of a work of video projections to be included in the Ingenuity Festival in Cleveland in summer 2007.

2007 Second Quarter

Natalie Bookchin

For printing and installation of three large-scale images as part of the exhibition “Narrow Cast: Reframing Global Video 1986/2008” at Pitzer Art Gallery in Claremont, Califorinia and LACE in Los Angeles in fall 2008.

2008 Third Quarter

Olivia Booth

For installation materials and to engage a choreographer in relation to an exhibition at the Schindler Lab at the MAK Center in Los Angeles in March 2011.

2010 Fourth Quarter

Holly Boruck

For costs related to porcelain casting and animation in preparation for a solo exhibition at Moorpark College Art Gallery in Moorpark, California in fall 2009.

2009 Second Quarter

Andrea Bowers

To hire a professional quilter to finish and back two monumental quilts for an exhibition at the Centro Cultural Tijuana (CECUT) in Mexico in fall and winter 2008.

2008 Third Quarter

Jenni Brandon

For additional rehearsals in preparation for a concert in association with the California Association of Professional Music Teachers in the City of Industry, California in February 2010.

2009 Fourth Quarter

Terry Braunstein

To add an installation component to a solo retrospective exhibition at El Camino College in Torrance, California in spring 2009.

2008 Fourth Quarter

Angie Bray

For studio rental and materials related to the Distinguished Woman Artist for 2000 exhibition at Fresno Art Museum in fall of 2000.

2000 Second Quarter

Janet Mitsui Brown

For high resolution printing and technical assistance in preparation for an exhibition at the Japanese American Cultural and Community Center in fall 2008.

2008 Third Quarter

Jane Brucker

To engage sewing professionals to craft large fabric works for the installation “Generation” at the Galerie Califia in the Czech Republic in spring 2009.

2009 First Quarter

Elizabeth Bryant

For travel to Croatia in June 2001 to oversee the installation of the artist's street banners as part of a Los Angeles/Croatia artistic exchange.

2001 First Quarter

Claudia Bucher

For additional 3-D printing and a video component for the performative installation “Skinray” to be part of the exhibition “Threads” a thte Ameircan Textile History Museum in Lowell, MA in fall 2008.

2008 Second Quarter

Pamela Burgess

To collaborate with a manzanita artist and to fabricate a screen for a solo exhibition at Rancho Santa Ana Botanic Garden in Clarement, California in fall 2010.

2010 Second Quarter

Eugenia Butler

To recreate a 1969 work, Last Museum Piece, and to frame several other works for a retrospective survey of the artist's work at the Ben Maltz Gallery at Otis College of Art and Design in fall 2003.

2003 Third Quarter

Sarah Cain

To hire assistants for the preparation of a large-scale ephemeral work at the Five Thirty Three Gallery in Los Angeles, hosted by LAX Art, in February and March 2009.

2008 Fourth Quarter

Clayton Campbell

For installation costs and travel to oversee an exhibition of paintings at the UNESCO Hall of Honor in Paris, France in June 2002.

2002 First Quarter

Joyce Campbell

For construction of a custom shelf and production of a guidebook in association with the solo exhibition LA Botanical at Gallery 727 in Los Angeles in summer 2007.

2007 First Quarter

Amy Campion

For costumes, additional rehearsal, and to engage an emcee for a dance/theater work by Antics Performance at the Skirball Cultural Center in Los Angeles in summer 2010.

2010 Second Quarter

Amy Campion

To engage a graffiti artist, a DJ and a costume designer for the multimedia breakdancing performance, Breaking the Cypher, at the Ford Amphitheatre in Los Angleles in fall 2007.

2007 Second Quarter

Dolce Capadocia

To engage set and costume designers for the performance of the dance drama “Bihag”for CounterPULSE’s Performing Diaspora 2009 program in San Francisco in fall 2009.

2009 Third Quarter

Helene Cardona

To distribute an additional 50 books at her reading from her new book of poetry, Astonished Universe, published by Red Hen Press, at Cornelia Street Café in New York in fall 2006.

2006 Third Quarter

Heather Carson

To purchase a special lighting system to enhance an exhibition at Arena 1 in Santa Monica in fall 2006.

2006 Second Quarter

César Castro

To bring a master laudero (instrument maker) from Veracruz, Mexico and for travel to Mexico to collect instruments and interviews for an exhibition at Homegirl Café and Imix Bookstore in Los Angeles as part of Fandango Sin Fronteras/Expo…

2009 Second Quarter

John Castro

To engage a production manager for the performance of “The Cooking Show con Karini y Castro” at the Asian Pacific Islander Cultural Center in San Francisco in spring 2008.

2008 First Quarter

Jessica Catron

For travel and to support the cost of transporting a cello to the Sonic Boom Festival in Vancouver, British Columbia, where she will perform as a guest soloist in spring 2004.

2004 First Quarter

Mona Jean Cedar

For rehearsal space and fees for a percussionist for a dance choreographed in sign language, to be presented at Gallaudet University in July 2002.

2002 Second Quarter

Misty Cervantes

To print, laminate and frame three additional large-scale photographs for the solo exhibition about close-knit associations among gang members, Family Connections, at the 825 Gallery in Santa Monica, California in the fall of 2004.

2004 Second Quarter

Esther Chae

To engage a dramaturg and moderator for the performance of “Esther in Otherland” at CUNY’s Martin Siegal Theater in New York City in spring 2009.

2009 First Quarter

Stacie Chaiken

To engage Israeli bassist Eli Magen and his trio for live accompaniment to her plays, Looking for Louie and Sarah Laughs, to be performed at the Center for Jewish Culture and Creativity in Israel in summer 2004.

2004 First Quarter

Stacy Chaiken

To engage a videographer and to purchase a digital projector for the performance of the play “The Dig: death, Genesis & the double helix” at the Untitled Theatre Co. as part of the International Festival of Jewish Theatre and…

2009 First Quarter

Ann Chamberlin

For crating and travel to Medellín, Colombia to oversee framing and installation of paintings for a solo show at the Centro Colombo Americano in summer 2003.

2003 Second Quarter

Leilani Chan

To edit video footage and facilitate participation of collaborator in the performance, Native Immigrant/a Kalo Project 2001, at the Japan America Cultural Center in June, 2001.

2001 Second Quarter

Leilani Chan

To engage a martial artist/choreographer and a scenic designer for the theatrical premier of Refugee Nation at the Cambridge Multicultural Arts Center in Massachusetts in the fall of 2007.

2007 Third Quarter

Johnny Chang

To extend his stay at Vancouver's Pro Musica Sonic Boom Festival in March 2007 to perform a work for violin written for him by André Cormier.

2006 Fourth Quarter

Theresa Chavez

For the completion of the musical score for By the Hand of the Father, to be performed June 8 - 18, 2000 at Plaza de la Raza in Los Angeles.

2000 First Quarter

Jennifer Cho

For final sound mixing and DVD transfer of the documentary film, Revisiting East Adams, for screening at Visual Communications in Los Angeles in June 2004.

2004 Second Quarter

YaYa Chou

To fabricate 25 hand-blown brown glass bottles for the sculpture installation, Color Based, at Dangerous Curve Gallery in Los Angeles in summer 2007.

2007 Second Quarter

YaYa Chou

To extend scale and oversee the installation of a solo exhibition at the Fort Wayne Museum of Art in summer 2010.

2010 First Quarter

Damon Chua

For sets and costumes for the play “The Ghost Building,” produced by A Company of Angels at the Alexandria in Los Angeles in fall 2009.

2009 Third Quarter

Tiffany Chung

For the printing and framing of photographs and the fabrication of beanbag sculptures to be included in an installation at the Third Fukuoka Asian Art Trienniale in Japan in the fall of 2005.

2005 Second Quarter

Maire Clerkin

To engage a director and sound designer in preparation for the solo show “The Bad Arm: Confessions of a Dodgy Irish Dancer” at Bang Theater in Hollywood, CA in summer 2008.

2008 Second Quarter

Elise Co

To incorporate a video and interactive display technology for her participation in the exhibtion Futurotextiles in Lille, France in fall and winter 2006.

2006 Third Quarter

Faith Coloccia

To build custom cabinetry for Everlovely Lightningheart's ipod speaker installation in the exhibition People for a Better Tomorrow at the Sweeney Art Gallery in Riverside, California in spring 2006.

2006 First Quarter

Robin Conrad

To engage a rehearsal director and musicians for dance performances at DUMBO in Brooklyn, New York in fall 2009.

2009 Third Quarter

Kevin Cooper

To add percussion, organ and harp to a musical concert at the Ruth B. Shannon Center for Performing Arts in Whittier, California in spring 2008.

2007 Fourth Quarter

Erin Cosgrove

For digital design of a book cover and proofreading of the artist's visual books, Seven Romance Novels, to be presented at Printed Matters in New York in September 2002.

2002 Second Quarter

Nicole Cousino

To hire a sound engineer for the final sound mix of Within Our Gates, a feature-length documentary to be broadcast on Free Speach TV in fall 2001.

2001 Third Quarter

Eileen Cowin

For assistance in the creation of a work for a mid-career survey show at the Contemporary Arts Center in Cincinnati, Ohio in January 2001.

2000 Third Quarter

Patsy Cox

For truck rental to transport a large ceramic wok to the Ulrich Museum of Art in Wichita, Kansas for an installation in the exhibition “On the Verge: Contemporary Ceramics” in spring and summer 2009.

2009 First Quarter

Meg Cranston

To engage an essayist and photo editor to expand a catalogue in conjunction with a retrospective of her work at Artspace in Auckland, New Zealand in fall 2006.

2006 Third Quarter

Zoe Crosher

For materials to add “The Folds Cluster” to the visual exhibition of “The Reconsidered Archive of Michelle du Bois at the Eleanor Harwood Gallery in San Francisco in fall 2008.

2008 Second Quarter

Krysten Cunningham

For soundtrack and equipment for the presentation of a new video work at the Henry Moore Institute in London and Leeds, UK in spring 2010.

2010 First Quarter

Aya Dorit Cypis

For video post-production and to purchase an additional video projector for the artist's installation, Sightlines, as part of the exhibition Consider This... at the Los Angeles County Museum of Art in the latter half of 2006.

2006 First Quarter

Beatriz Da Costa

To engage a video collaborator and produce of a documentary video for the electronic installation of PigeonBlog as part of the Inter-Society for Electronic Arts Festival at the Andalusian Centre of Contemporary Art in Sevilla, Spain in…

2007 First Quarter

Joyce Dallal

To expand the scale of the installation “Descent,” and for related construction and shipping costs, for exhibition in the Visitor’s Lobby of the United Nations in New York in January 2009.

2008 Third Quarter

Joyce Dallal

To support the materials costs of a banner and the production of bookmarks related to the public art project, Six Degrees: Art in the Libraries, sponsored by Side Street Projects at the Fairfax Branch of the Los Angeles Public Library…

2001 Second Quarter

Joyce Dallal

For travel to Alexandria, Egypt to oversee the installation of a video work for the exhibition, Above, Below and in the Sahara Desert, at the Bibliotheca Alexandrina in April 2005.

2005 First Quarter

Caryl Davis

For rental and purchase of equipment to spray mud as part of the exhibition unDrawn—Unusual Approaches to Drawing as part of the at the Brewery Project in Los Angeles in winter 2002.

2002 Third Quarter

Sandra De la loza

To engage an animator and illustrator for a video installation as part of the exhibition Phantom Sightings: Art After the Chicano Movement at the Los Angeles County Museum of Art in April 2008.

2007 Fourth Quarter

Mara De Luca

To create an additional “Altar Piece” for the exhibition of “Stations” at the Museum of Contemporary Art in San Diego as part of the Cerca Series in fall 2009.

2008 Fourth Quarter

Marsian Delellis

To engage a puppet builder and for sound equipment for the performance of the “Bride of Wildenstein – The Musical” at the Velaslavasay Panorama in Los Angeles in early 2010.

2009 Third Quarter

Tina Demirdjian

To support fees for a graphic artist and editor toward completion of a book of poetry, to be read and distributed at the Glendale Central Library in winter 2002.

2002 Third Quarter

Steven Deo

To rent a truck to transport the installation “Bare Trees” to the exhibition Weather Report: Art & Climate Change at the Boulder Museum of Contemporary Art in Colorado in the fall of 2007.

2007 Third Quarter

Allan DeSouza

For the purchase of a view camera and related equipment to be used during a residency at Art in General in New York, New York from May 3 - June 30, 2001.

2001 First Quarter

Prince Diabate

To engage two guest musicians from Guinea to participate in the artist's closing concert at the International Nuits d'Afrique Festival in Montreal in July 2004.

2004 Second Quarter

Jenna Didier Hess

For enhanced lighting and to expand the scale of a sculptural installation of “Food Pyramid” at the Los Angeles County Museum of Art in March 2010.

2010 First Quarter

Dino Dinco

For title design and music for the feature length documentary “Homeboy”, to be screened at the Sydney Mardi Gras Festival in Australia in February 2011.

2010 Fourth Quarter

Michelle Dizon

For the purchase of video projectors and blackout drapery for the exhibition “Civil Society” at CUE Art Foundation Gallery in New York City in spring 2010.

2009 Fourth Quarter

Arthur Dong

To upgrade the film, Family Fundamentals, to 35mm format, for screening in summer 2002 at the Cleveland Film Festival, the Turin International Gay & Lesbian Film Festival in Torino, Italy, IFP West's Project Involve and Outfest in Los…

2002 First Quarter

Arthur Dong

For Dolby soundtrack mastering of the film Hollywood Chinese to be screened at the Toronto International Film Festival, the Vancouver International Film Festival and the Goteborg International Film Festival in the fall of 2007 and winter of…

2007 Third Quarter

Alex Donis

For an audio sound system and display text to be included in a solo exhibition at the Watts Towers Arts Center in Los Angeles in fall 2001.

2001 Third Quarter

Phyllis Douglass

For fees for a composer and performers, and for rental of a rehearsal space, for a dance concert at the Hollywood Central Performing Arts Center in Florida in March 2002.

2001 Fourth Quarter

Jeremy Drake

To support travel, participation of musical collaborators and recording fees for performances as part of the New Mexico Improv Fesival, a festival of jazz and avant-garde music in Albuquerque in May, 2003.

2003 First Quarter

Jeremy Drake

To extend a performance run by the musical trio Team Up in Berlin, Germany in fall 2009.

2009 Third Quarter

Heidi Duckler

To support fees for a technical director and lighting designer for the site-specific dance performance, Shoot the Messenger, at the Herald Examiner Building in Los Angeles in spring 2002.

2002 First Quarter

Heidi Duckler

To hire additional dancers and to enhance the sound and lighting for the presentation of Laundromatinee in New York as part of the lower Manhattan Cultural Council's Sitelines Festival in summer 2006.

2006 Second Quarter

Heidi Duckler

For costumes, score and additional rehearsal in preparation for a dance performance by Collage Dance Theatre as part of the Link Voctok East/West International Arts Exchange in Russia in summer 2010.

2010 Second Quarter

Sean Duffy

To upgrade sound systems for The Grove, a sound and sculptural installation at the Luckman Gallery at California State University of Los Angeles in spring 2007, and at the Art Museum at Arizona State University in summer 2007.

2006 Fourth Quarter

Padraic Duffy

To engage a dialect coach, dramaturg and fight choreographer for the play “Puzzler”, to be performed at Sacred Fools Theater in January 2011.

2010 Fourth Quarter

Martin Durazo

For the addition of a large wall work and the production of acrylic pedestals for a solo exhibition at Gallery CB1 in Los Angeles in fall 2010.

2010 Third Quarter

Sam Easterson

To purchase micro-cameras and to cover costs associated with attaching helmet-mounted videos to bugs for the exhibition, Bug Eyed: Art, Culture, Insects at the the Turtle Bay Exploration Park in Redding, California in summer and fall 2004. …

2004 First Quarter

Ken Ehrlich

To purchase a high-definition camcorder in preparation for a site-specific exhibition at FIT Gallery in Berlin in summer 2008.

2008 Second Quarter

Harris Eisenstadt

For lodging and per diems to enable the jazz artist's scheduled performance at Roda Sten in Sweden to be extended to a European tour, with additional performances with the London Improvisers Orchestra and Dal Niente Projects in England; the…

2004 Second Quarter

Marcus Eley

To extend his stay and for lodging with rehearsal space for performance at the National Arts Festival in Grahamstown, South Africa in summer 2009.

2009 Second Quarter

Sam Erenberg

To support the costs for the artist to travel to Vilnius, Lithuania to oversee the installation of his works as part of the International Triennial of Bookarts Vilnius 2003 and to perform Barthes' Tomb in May/June.

2003 First Quarter

Carol Es

For die-cutting and letterpress services, and for the custom framing of works to be included in a solo exhibition at the George Billis Gallery in Los Angeles in the fall of 2005.

2005 Second Quarter

Carol Es

To travel to Houston to oversee installation of fragile pen and ink works in a solo show at the Koelsch Gallery in Houston in fall 2007.

2007 Second Quarter

John Espinosa

To contract with a refrigeration specialist and metal fabricator for the construction of a frozen sculptural element for a solo show at Rare Gallery in New York City in fall 2003.

2003 Third Quarter

John Espinosa

To make special clear resin castings and to build storage tanks for Odd Sympathy, a one-person exhibition at Sandroni Rey Gallery in Los Angeles in fall 2007.

2007 Second Quarter

Reanne Estrada

To create plexiglass bases for sculptures to be exhibited in a solo show at the Indianapolis Museum of Contemporary Art in February and March of 2006.

2005 Fourth Quarter

Rochelle Fabb

To support production costs, costumes and lighting design fees for the performance of the solo work, At First Blush, as part of the Performance Rodeo to take place at the Centre d'Art Marnay in France in July, 2001.

2001 Second Quarter

Mclean Fahnestock

For blackout curtains, projector and speakers for the exhibition of “Orbiter: The Last Space Shuttle Launch,” video and digital works with live feed, at Raid Projects in Los Angeles in fall 2010.

2010 Second Quarter

Monica Favand

To hire collaborators in music, sound and video to be incorporated in the dance work Breath and Bone, to be performed at the Ivy Substation in Culver City, California in fall 2004.

2004 Third Quarter

Alice Fellows

For archival framing of art for exhibit at the Hiromi Paper International Gallery, in Santa Monica, California, from October 7 - November 18, 2000.

2000 Third Quarter

Maria Fernandez

To engage a dramaturg, director and lighting designer for a solo performance of Confessions of a Cha Cha Feminist at Side Street Projects in Los Angeles, California, on April 6 & 7, 2001.

2001 First Quarter

Morgan Fisher

For travel to Cincinnati, Ohio in conjunction with his participation in the exhibition, Bunch Alliance and Dissolve, at the Center for Contemporary Art in fall 2006.

2006 Third Quarter

John Fleck

To hire a dramaturg, lighting designer and videographer for the premiere of Johnny's Got a Gun at REDCAT in Los Angeles in summer 2006.

2006 Second Quarter

Robbert Flick

To purchase ColdFusion software and programming for the creation of a multimedia website in conjunction with the artist's 30-year retrospective at the Los Angeles County Museum of Art in the fall of 2004.

2004 Second Quarter

Tobias Forrest

For construction of special set elements for the production of the theater work Pyretown at Playwrights Arena in Los Angeles in summer 2007.

2007 First Quarter

Simone Forti

To engage a lighting designer and stage manager for an installation at The Box Gallery in Los Angeles in summer 2009.

2009 Second Quarter

Marcy Freedman

For travel to Paris to create a site-specific sculpture as part of an exhibition at the Galerie g-module in fall 2002.

2002 Third Quarter

Dan Froot

To engage a director for the performance of Shlammer at the Los Angeles Theater Center on June 22 & 23, 2001.

2001 First Quarter

Dan Froot

To engage a puppeteer for the rehearsal and performance of “Who’s Hungry?” at Fiesta Hall in Plummer Park in West Hollywood, California in summer 2008.

2008 First Quarter

Matthew Furmanski

To purchase buoys and materials for the exhibition, Inland Specific, at the Armory Center, Pomona College and other venues in fall of 2000.

2000 Second Quarter

Charles Gaines

To purchase materials for a diorama to be part of a solo retrospective at Triple Candie in New York in spring 2004.

2004 First Quarter

Maria Elena Gaitan

For collaboration with a composer and a muralist, the construction of props and the editing of a video for the performance of The Teta Show at Brava Theater in San Francisco in March, 2003.

2003 First Quarter

Wanda Gala

For live music and the construction of handcrafted puppets for the performance of Les Biches at Highways Performance Space in Santa Monica, California in spring 2007.

2007 First Quarter

Geoff Gallegos

To purchase music supplies and hire a music copyist to prepare scores for a performance of the 70-piece Dakah Hip Hop Orchestra at Grand Performances in Los Angeles in August 2002.

2002 Second Quarter

Geoff Gallegos

For microphones and preamp for a concert of his compositions for strings to be performed by Sonos Quartet, at Montalvo Arts Center in Saratoga, California in fall 2009.

2009 Third Quarter

Geoff Gallegos

For rehearsal fees for additional rehearsal in preparation for a concert by the artist's Dakah Hip Hop Orchestra at Bovard Auditorium at the University of Southern California in Los Angeles in spring 2007.

2007 First Quarter

Corina Gamma

For the construction of objects and the rental of video equipment to enhance work scheduled for exhibition at the Arizona State University Art Museum, in Tempe, Arizona from December 2000 - February 2001.

2000 Fourth Quarter

Rosanna Gamson

For costume design and lighting design fees for the premiere of the dance work, Two Views (An Urban Ocean has 29 Eyes), at the Japan America Theatre in March, 2003.

2003 First Quarter

Rosanna Gamson

For equipment rental and to hire a projectionist for the performance of the dance work “Ravish” to be presented by ODC Theater at Project Artaud in San Francisco in fall 2008.

2008 Second Quarter

Rosanna Gamson

For set construction for the premiere of the dance theater work “Tov” at REDCAT in Los Angeles in March 2010.

2009 Fourth Quarter

Robyn Gardenhire

To engage a professional journalist and to edit interviews to be included as part of a soundtrack for the dance performance Immigrants by City Ballet of Los Angeles at the Ford Amphitheatre in Los Angeles in fall 2006.

2006 Second Quarter

Nataki Garrett

To hire a dramaturge, support a playwright’s participation, and improve technical components of “Black Women: State of the Union,” a theatrical work, at Company of Angels in Los Angeles in February and March 2009.

2008 Fourth Quarter

Shelley Gazin

For the printing and mounting of large-scale works to accompany a presentation of her work at the Skirball Museum in Los Angeles, in association with the Center for Iranian Jewish Oral History, in the fall of 2005.

2005 Third Quarter

Megan Geckler

To support enhanced lighting of a window installation to be exhibited by Bert Green Fine Art at the corner of 5th and Main Streets in Los Angeles for the 2008 year.

2007 Fourth Quarter

Janie Geiser

For workprint, splicing and optical timing of her film Vapor Drama, to be premiered at the Museum of Modern Art in New York in January 2005.

2004 Fourth Quarter

Janie Geiser

To support onsite collaboration with a composer for the diorama/performance of “The Reptile Under the flowers” at the Foshay Masonic Lodge in conjunction with the Museum of Jurassic Technology in Los Angeles in spring 2009.

2009 First Quarter

Maria Gillepsie

To upgrade costumes and lighting design for Oni Dance’s presentation at Joyce SoHo in New York City in January 2008.

2007 Fourth Quarter

Maria Gillespie

To support fees for dancers and rehearsal space in preparation for a dance concert at Highways Performance Space in Los Angeles in February 2003.

2002 Fourth Quarter

Stephanie Gilliland

To support the costs of filming a dance concert at the Performing Arts Center at California State University Northridge in fall 2001.

2001 Third Quarter

Keith Glassman

To engage a videographer, costume designer and purchase costume materials for the performance of the dance work “Far From Home” at Highways Performance Space in Santa Monica, California in summer 2009.

2009 First Quarter

Tony Gleaton

For travel costs to American Samoa to participate in a two-week residency at the American Samoa Community College in conjunction with a show of his photographic exhibit, Samoa: Through an Artists Eyes, in September 2000.

2000 Third Quarter

Ken Gonzales-Day

To cover the cost of digital printing of large-scale photographs for the Second International Biennial of Standards exhibition in Tijuana, Mexico in the spring of 2002.

2001 Fourth Quarter

Kraig Grady

To add three additional performers and to create a special screen for the performance of a shadow puppet play at New Langton Arts in San Francisco in May 2005.

2005 First Quarter

Alexandra Grant

For materials to expand the scale of an installation for the exhibition Double-Take: The Poetics of Illusion and Light at the Contemporary Museum in Baltimore in winter 07 – spring 08.

2007 Fourth Quarter

Leslie Gray

To engage a composer and two musicians for live musical accompaniment to the puppet theater performance, The Pink Dress, at the Japanese American National Museum in June 2005.

2005 First Quarter

Todd Gray

To make one additional large-scale color photographic installation as part of the California Mission series, to be included in a 20-year retrospective at the Luckman Gallery in Los Angeles in fall 2004.

2004 Third Quarter

Phyllis Green

To add an audio-visual component to a retrospective exhibition at the Ben Maltz Gallery at Otis College of Arts & Design in Los Angeles in January 201

2010 Third Quarter

Delvin Grimes

For set and costumes for a hip hop performance as part of the 2010 AIR Program at Prostor Plus in Rijeka, Croatia in spring 2010.

2010 First Quarter

Ahila Gulasekaram

For additional rehearsals, to engage a director and for costumes for the performance of “Sangamam,” an evening length Bharata Natyam (South Indian Classical Dance) at the Cerritos Public Library, produced by the Ektaa Center in January…

2008 Fourth Quarter

Joyce Guy

For live music and to engage a choreographer and videographer for the performance of the solo theater work, “War Stories,” as part of the Face of the World Theater Festival, presented by the Latino Theater Company at the New LATC in Los…

2008 Third Quarter

Jesus Guzman

To hire a director, lighting and graphic designers and for set construction for a performance by Mariachi Los Comperos de Nati Cano at UCLA Live in Los Angeles in November of 2007.

2007 Third Quarter

Lucy H.G.

To ship two additional works to the exhibition A Science of the Imaginary at the Colombian Association for the Advancement of Science, and for travel to Bogotá to oversee the installation of video.

2005 Third Quarter

Lucy H.G.

To upgrade a video print to DVD and to manufacture a vacuum-form plastic mold for a solo exhibition at the Harris Art Gallery at the University of La Verne in California in March 2004.

2003 Fourth Quarter

Petra Haden

To included four additional singers to a choir, to engage a conductor and additional rehearsal for the a cappella musical performance of Petra Haden sings ‘The Who Sell Out,’ at the Schindler House in Los Angeles in June 2005.

2005 First Quarter

Fritz Haeg

For the production of a video as part of the project Edible Estates, presented in fall 2006 at three venues in Los Angeles: Los Angeles Contemporary Exhibitions (LACE), Machine Project and Millard Sheets Gallery at the L.A. County Fair.

2006 Second Quarter

Fritz Haeg

To hire a photographer and a videographer to document the growth of an edible garden in London, linking it to the exhibition Global Cities in the Turbine Hall of the Tate Modern in London in summer 2007.

2007 Second Quarter

Karl Haendel

To hire a studio assistant and to cover the cost of framing large-scale drawings for inclusion in the 2004 California Biennial at the Orange County Museum of Art in fall 2004.

2004 Third Quarter

Lia Halloran

To add LED lighting to a sculptural installation at Artisphere in Arlington, Virginia in fall 2010.

2010 Third Quarter

Clement Hanami

To engage an engineering consultant and for mechanization of the sculptural work “Outhouse” for inclusion in an exhibition at the Vince Price Art Museum in Los Angeles in fall 2010.

2010 Second Quarter

Kelly Hargraves

For color correction and sound editing of the film CARGO, to be screened at the Dance on Camera Festival in Salt Lake City, the Cypress International Film Festival in Greece, and the American Dance Festival-Screendance in Raleigh, North…

2007 First Quarter

Thomas Harris

Toward the final sound mix for the independent documentary film, That's My Face/... Minha Cara, to be screened at the Malcolm X Library and Performing Arts Center in San Diego, California in February, 2001.

2000 Fourth Quarter

Asher Hartman

For music and dance elements to the performance Annie Okay at the Hammer Museum in Los Angeles, in collaboration with Machine Project, in fall 2010.

2010 Third Quarter

Barbara Hashimoto

To print and mount large-format photographs of installations for a retrospective exhibition at the Fullerton College Art Gallery in January 2002.

2001 Fourth Quarter

Kevin Hass

For the costs of printing and matting new work for an exhibition at the Irene Carlson Gallery of Photography at the University of LaVerne in LaVerne, California in January 2003.

2002 Fourth Quarter

LeVan Hawkins

To support travel, graphic design and video editing to add internet chat rooms to the performance of In 30 Days, at Dixon Place Theater in New York in July 2002.

2002 Second Quarter

Patrick “Pato” Hebert

To support the costs of printing and mounting additional lenticular photographic prints for the exhibition, Finding Family Stories, at the Japanese American National Museum and other Los Angeles venues beginning in March, 2003.

2003 First Quarter

Julie Hebert

For set construction, and collaborators fees for designers, for production of the play “Tree” at the John Anson Ford Amphitheatre in Los Angeles in fall 2009.

2009 Third Quarter

Micol Hebron

To produce a catalog to accompany a solo video installation in the McBean Gallery of the San Francisco Art Institute in early 2003.

2002 Fourth Quarter

Christopher Heenan

For multi-speaker system rental, rehearsal space and fees for collaborators related to the performance of a new work for guitar and electronically processed clarinet at the Festival with No Fancy Name, to be presented by Experimental…

2004 Fourth Quarter

Mary Beth Heffernan

To produce four posters for The Solider’s Skin: An Endless Edition, to be exhibited at the Pasadena City College Art Gallery as part of the Arts and Ideas Festival in fall 2007.

2007 Second Quarter

Alison Heimstead

To engage a composer and two live musicians for the puppetry piece, The Saint Plays, to be performed at Open Eye Theater in Minneapolis in summer 2007.

2007 Second Quarter

Laura Heit

For lighting design. technical direction and a mini-projector for the performance of “Bureau of Small Requests” at the 10th Annual Great Small Works Theater Festival in New York in spring 2010

2010 First Quarter

Aaron Hendry

To purchase swords for the combat choreography of “The Three Musketeers” at the Will Geer Theatricum Botanicum in summer 2010.

2010 First Quarter

Michael Heralda

To support the cost of hand-crafting and shipping of masks and ceremonial objects for a storytelling performance at the Smithsonian National Museum of the American Indian in New York in the fall of 2005.

2005 Third Quarter

Marc Herbst, Robby Herbst, Christina Ulke

For the cost of producing additional copies of the Journal of Aesthetics and Protest for inclusion in the 2008 California Biennial at the Orange County Museum of Art in fall and winter 2008.

2008 Second Quarter

Penny Herscovitch

For the cost of LED lightboxes for an exhibition of the artist's Flexicomb and Bubble Glass at the Center for Architecture in New York in spring 2006.

2006 First Quarter

Margaret Honda

To travel to New York to make new work for an installation at the Drawing Center in April 2004.

2003 Fourth Quarter

Channa Horwitz

To travel to Germany to oversee installation of solo exhibition at Aanant & Zoo Gallery in Berlin in winter 2008.

2008 Third Quarter

Lazare Houetin

For costumes, and for additional dancers and musicians to perform with the West African Dje-Gbe Ensemble at the Levitt Pavilion in Pasadena, California in summer of 2005.

2005 Second Quarter

Velina Houston

To engage a dramaturg for the production of the play Calligraphy by Playwrights Arena at the Los Angeles Theatre Center in fall 2010.

2010 Third Quarter

Paul Humphries

To expand a women’s choir, improve lighting and increase rehearsals for a concert performance as part of the World Festival of Sacred Music at Loyola Marymount University in Los Angeles in fall 2008.

2008 Second Quarter

Kate Hutter

For additional rehearsal, movement direction and the integration of the Sonos a cappella group into the dance work “Gods and Marionettes” by LA Contemporary Dance Company at the Ford Amphitheatre in June 2010.

2010 First Quarter

Alberto Ibarra

To engage a papier mache artist for the production of masks and props for the play “Cyber Barrio Zone” at the Festival Internacional Cervantino Callejero del CLETA in Guanajuato, Mexico in fall 2009.

2009 Third Quarter

Yoko Iida

For post-production and sound mixing of a video to be part of a site-specific sculptural installation, Nana's Story, at the Aichi Arts Center in Japan in February 2007.

2006 Fourth Quarter

Charles Irvin

To hire a boom operator for the video component of a new documentary/performance work to be included in the exhibition “Nine Lives” at the Hammer Museum in spring 2009.

2008 Fourth Quarter

Malathi Iyengar

For travel to Bangalore, India to perform the Ramayana at the Narthan Dance Festival on December 24, 2000.

2000 Fourth Quarter

Marie Jager

For the transfer of HD video to 16 mm film and looping apparatus for the exhibition of new media work at the California Biennial at the Orange County Museum of Art in Newport Beach in fall 2006.

2006 Second Quarter

Lynn Jeffries and Paul Zaloom

To engage a director and to construct a miniature proscenium theater for a toy theater puppet show at the 8th International Toy Theater Festival in Brooklyn, New York and at REDCAT in Los Angeles in summer 2008.

2008 First Quarter

Kiel Johnson

To purchase a saw, motors and other materials related to the completion of a large-scale installation for exhibition at the Santa Barbara Contemporary Arts Forum in fall 2007.

2007 Second Quarter

Mariah Johnson

To ship materials for an exhibition at CentralTrak, University of Texas at Dallas and the Satellite Space at University of Texas at San Antonio in summer 2009.

2009 Second Quarter

Mariah Johnson

To purchase bedsheets for a large-scale sculptural installation at the Brand Library Art Galleries and the Little Bird Gallery in Los Angeles in spring and summer 2008.

2008 First Quarter

Allison Adah Johnson

To integrate two DJ’s and add a visual component to a work commissioned by the Sonic Possibilities ensemble to be performed at the Between the Cracks Forum in Corvallis, Oregon in spring 2009.

2009 First Quarter

Donald Jolly

To extend rehearsal of the play bonded, to be performed by Playwrights’ Arena at Los Angeles Theatre Center in Spring 2011.

2010 Fourth Quarter

William Jones

To support costs of video compilation and film to video transfer for exhibition at the Venice Biennale in Italy in summer and fall 2009.

2009 First Quarter

Rebekah Jordan

To add cello and percussion to a performance of the artist’s songs at the NEMO Music Festival in Boston in the fall of 2005.

2005 Third Quarter

Stanya Kahn and Harry Dodge

For sound engineering, titles and to travel to Berlin to supervise the installation of Can't Swallow It, Can't Spit It Out at the Galerie Carlier-Gebauer in January 2007.

2006 Fourth Quarter

Stanya Kahn and Harry Dodge

To purchase plasma monitors for the installation of new video at the Elizabeth Dee Gallery in New York City in summer 2008.

2008 Second Quarter

Stanya Kahn

To purchase speakers and software, and for the cost of framing for a solo show at the Susanne Vielmetter Gallery in Los Angeles in February 2010.

2009 Fourth Quarter

Derrick Jones

For labor and construction of a free-standing structure to enable the integration of aerial elements in the performance of “Catch Me Bird” at the Ford Amphitheatre in Los Angeles in fall 2008.

2008 Second Quarter

Ann Kaneko

To add a postscript, enhance sound quality and output new version of the documentary film “Against the Grain: An Artist’s Survival Guide to Peru” at the Los Angeles Pacific American Film Festival in spring 2008.

2008 First Quarter

Angela Kang

To support scenic elements and the rental of lighting equipment for the premiere of her play, The Bridegroom in the Night, as part of American Monsters 2 at the Lodestone Theatre in Los Angeles in the fall of 2005.

2005 Third Quarter

Annetta Kapon

For the purchase of a wireless digital video projector and to engage a writer in association with a 25-year video retrospective of the artist's work in Camac Art Gallery in Marnay Sur Seine in France in spring 2007.

2007 First Quarter

Ajay Kapur

To engage experts in networked laptop architecture and for set design for the performance of KarmetiK Machine Orchestra at REDCAT in Los Angeles in January 2010.

2009 Fourth Quarter

Maryam Kashani

For final sound mix and film transfer costs for the feature length documentary, Best in the West, for screening in summer 2006 at the Museum of Modern Art in New York as part of the series Tomorrowland: CalArts in Moving Pictures.

2006 Second Quarter

Dan Katzir

For sound editing of a feature length documentary, Yiddish Theater: A Love Story, to be screened at the University of Southern California in February 2006.

2005 Third Quarter

Carolyn Kay

To support the construction of mirrored walls for a solo installation, the artist's first, at cherrydelosreyes gallery in Los Angeles in spring 2002.

2002 First Quarter

Hilja Keading

To purchase synchronization devices and DVD decks for a video installation at the Pomona College Museum of Art in January 2002.

2001 Fourth Quarter

Lauren Kearns

To purchase a projector to enable the incorporation of interactive video components in a dance performance featured in the Brand Library Dance Series in Glendale, California in February 2003.

2002 Fourth Quarter

Mateen Kemet

To transfer the short film, silence, from video to 16mm, to enable its screening at the San Francisco Film Arts Foundation Film Festival in September, and for travel costs to London for screening at the BFM International Film Festival in…

2003 Third Quarter

Mateen Kemet

For high definition transfer/online for the screening of the short film “Oakland b Mine” at the Oakland International Airport in California in fall and winter 2008.

2008 Third Quarter

Nancy Keystone

To engage a dramaturg and video designer in preparation for the production of the theater work “Apollo (Part 3): Liberation” at the Bovard Theater at the University of Southern California in Los Angeles in fall 2008.

2008 Second Quarter

Kineya Kichikazu

For equipment rentals and accommodations for master shamisen artists from Japan for a performance at the Japan America Theater in Los Angeles in January 2010.

2009 Third Quarter

Soo Jin Kim

To support transfer of the video Comfort Me to DVD format and the artist's travel to Korea to participate in symposia related to a screening at the Gwangiu Biennale in spring 2002.

2002 First Quarter

Carole Kim

For video monitors, cable and sharktooth scrim for an interdisciplinary performance as part of the Spring Wave Festival in Seoul, Korea in spring 2007.

2007 First Quarter

Regina Klenjoski

For additional dancers and live musicians for the dance work The Museum Project, Triptych: Feet on Concrete at the Long Beach Museum of Art in California February 2008.

2007 Fourth Quarter

Amy Knoles

To fund collaborator fees and travel expenses for an interactive video feed during three multimedia performances in Europe in November 2003.

2003 Third Quarter

Karen Koblitz

For the crating and shipping of two ceramic artworks for inclusion in a solo exhibition at the all Russian Museum of Decorative, Applied and Folk Arts in Moscow in summer 2004.

2004 Second Quarter

Karen Koblitz

To engage a calligrapher and a weaver in Azerbaijan to fabricate a carpet for inclusion in the exhibition Facing East at L2kontemporary Gallery in Los Angeles in fall 2007.

2007 Second Quarter

Joyce Kohl

For video editing of a companion piece to the artist's public art mobile installation at the Bakersfield airport in Bakersfield, California in spring 2007 and running continuously thereafter.

2007 First Quarter

Christina Kokubo

For support of a technical director and the shipping of set pieces for a theatrical production to take place in Zagreb, Croatia in the fall of 2005 as part of the International Festival of the Blind and Visually Impaired.

2005 Second Quarter

Cindy Kolodziejski

For framing, shipping and travel costs to enable the inclusion of additional drawings and ceramic works in an exhibition at the Norther Clay Center in Minneapolis, Minnesota in summer 2004.

2004 First Quarter

Olga Koumoundouros

To hire string players and to purchase surround sound equipment for the solo exhibition “Demand Management” at REDCAT in Los Angeles in June 2009.

2009 First Quarter

Tina Kronis

To hire a costume designer and for costume materials for the performance of “Model Behavior, i.e. the Strange Case of Dr. Jekyll and Mr. Hyde,” a theatrical work by Theatre Movement Bazaar at the 24th St. Theatre in Los Angeles in…

2008 Fourth Quarter

Dan Kwong

For fees to collaborators for production of the play, Show Me Some Stuff by Cedar Grove Productions and the Latino Theater Company at the Los Angeles Theater Center in November of 2007.

2007 Third Quarter

Dan Kwong

For travel to present the theatrical collaboration, Woman Warrior Tales, in Indonesia in July, 2000.

2000 Second Quarter

Dan Kwong

To collaborate with a Chinese opera artist, and to engage technical consultants for choreography, direction and lighting design for a new performance, Sleeping with Strangers, to be performed at Highways Performance Space in Santa Monica,…

2005 Fourth Quarter

Suzanne Lacy

For labor and materials to expand the scope of the exhibition “The Performing Archive: Restricted Access” at the Yerba Buena Center for the Arts in San Francisco in spring 2008.

2008 First Quarter

Suzanne Lacy

For masks, flashlights and sound system for a large-scale public performance on domestic violence in conjunction with an exhibition at the Reina Sofia Museum in Madrid in fall 2010.

2010 Second Quarter

Antoinette LaFarge

To engage a stage manager and to incorporate a video component in the media performance work, Demotic, at Theatre Project in Baltimore, Maryland in fall 2006.

2006 Third Quarter

Yiuwing Lam

For surround sound and optical track printing of the short film, Rupture, to be premiered by Visual Communications in Los Angeles in January 2005.

2004 Fourth Quarter

Melissa Lambert

For custom face mounts of self-portraits to be included in Newtown's Medical/Arts Show at the Armory Center for the Arts in Pasadena, California and also for exhibition at the Jazz Bakery in Culver City, California in spring 2007.

2007 First Quarter

Marco Larsen

For the purchase of sound equipment for the installation, The Resurrection of Tigilau, at the Galeria de la Raza in San Francisco in fall 2002.

2002 Third Quarter

Laura Larson

For the construction and upholstery of a couch and other props to be part of a solo show at HAUS Gallery in Pasadena, California in February 2005.

2004 Fourth Quarter

Robert Larson

For packing and shipping of photographs for a solo show at the California State Polytechnic University Downtown Center for the Arts in summer 2009.

2009 Second Quarter

Thomas Leabheart

To engage a scenic painter, a lighting designer and to ship costumes for the mime ensemble performance, The Apple Tree, at REDCAT in Los Angeles in summer 2007.

2007 Second Quarter

Anne LeBaron

To support an additional recording session for the music/sound component of the theater work, On earth as it is in heaven, produced by About Productions at the 24th Street Theater in Los Angeles in fall 2002.

2002 Third Quarter

Anne LeBaron

To add supertitles and live performance of shakuhachi and dijeridoo to the performance of her opera, Wet, at REDCAT Theater in Los Angeles in the winter of 2005.

2005 Third Quarter

Betty Lee

To support the development of a web component for the exhibition, Finding Family Stories, at the Japanese American National Museum, the Chinese American Museum, the California African American Museum and Self-Help Graphics in the spring and…

2002 Fourth Quarter

Hae Kyung Lee

To engage a composer and for performance fees for live music for a program of dance at the State Playhouse at California State University in Los Angeles in summer 2008.

2008 First Quarter

Sam Lee

For custom framing of large scale photographs for the solo exhibition of A Portrait of My Mother at the Chinese American Museum in Los Angeles from spring through fall of 2005.

2005 First Quarter

Cynthia Lee

To engage a director, multimedia collaborator and to purchase a video projector for the play “SUNOH! Tell Me, Sister”, at the Miles Memorial Playhouse in Santa Monica, California in spring 2011.

2010 Fourth Quarter

Elizabeth Leister

To engage a collaborator for sound design and technical assistance in the production of the multimedia performance Without Risk of Excessive Loss at Beyond Baroque in Venice, California in October of 2007.

2007 Third Quarter

Simon Leung

For construction of a sculptural viewing apparatus for a three-channel video installation, POE, at Las Cienegas Projects in Los Angeles in January 2011.

2010 Fourth Quarter

Karen Liebowitz

To expand a studio door and purchase supplies to enable the production of large-scale paintings for a solo exhibition at the Rosamund Felsen Gallery in Los Angeles in the winter of 2008.

2007 Third Quarter

Rachel Lincoln

To engage a composer and videographer for the performance of “May and June”, an evening-length multimedia performance by Lean-To Productions at Sushi Visual and Performing Arts in San Diego in spring 2011.

2010 Fourth Quarter

Cynthia Liu

For remixing and color correction of the short film “Alien Abduction” to be screened at the National Center for the Preservation of Democracy in Los Angeles in summer 2010.

2010 Second Quarter

Loretta Livingstone

To support collaborators' fees for the addition of live music and visual elements to the dance concert, The Persistence of Heart (in the red, red earth), at the University of Central Oklahoma in March 2002.

2001 Fourth Quarter

Paul Livingstone

For collaborators’ fees and to extend rehearsal time for a performance by the Jugalbandi Trio Ensemble at Grand Performances in Los Angeles in fall 2008.

2008 Second Quarter

Karen Lofgren

To purchase materials to expand the scale of an installation in a solo show at Pitzer Art Galleries in Claremont, California in summer 2009.

2009 Second Quarter

Mara Lonner

For the cost of machine cut stencils to be part of a solo exhibition at the Cue Art Foundation in New York City in March 2006.

2005 Fourth Quarter

Mara Lonner

For the hiring of an assistant for the pre-production work and materials related to the exhibition, The Sunset Series, to be held at the Sandroni Rey Gallery in Venice, California in January 2001.

2000 Third Quarter

Alma Lopez

To ship additional prints and to extend her stay in Mexico City related to an exhibition of her digital prints at Prensa Editorial Les Voz in May/June 2005.

2005 First Quarter

Rachel Lopez

For additional rehearsal space and to add three additional dancers to the performance of the musical work “Thanksgiving for Heroes” by the San Francisco Bach Choir at Calvary Presbyterian Church in San Francisco in May 2010.

2010 First Quarter

Catherine Lord

For the subvention for printing color plates in the author's book, The Summer of Her Baldness: A Cancer Improvisation, published by the University of Texas Press in fall 2003.

2003 Third Quarter

Renee Lotenero

To construct custom aluminum pedestals for a solo exhibition of sculpture at the John Michael Kohler Arts Center in Sheboygan, Wisconsin in fall 2008.

2008 Third Quarter

Shana Lutker

To hire a commercial photographer and to print and frame six additional photographs for an exhibition at the Room Gallery at the University of California, Irvine in January 2007.

2006 Fourth Quarter

Marcos Lutyens

For the addition of digital/analog technology in the exhibition, Primordium: Leafy, Superman and Flo10, at the outdoor art space of the California Institute of Technology in Pasadena, from July 1 - August 26, 2000.

2000 First Quarter

Jacob Kujo Lyons

To engage live musicians for a performance by Lux Aeterna at the Alex Theatre in Glendale, California in March 2008.

2007 Fourth Quarter

Mela M.

For travel to and to purchase plexiglass for a site-specific drawing at the Museum of Contemporary Fine Arts in Belarus in summer 2006.

2006 First Quarter

Ming-Yuen Ma

For the final sound mix and English subtitling of Mother/Land, an experimental documentary, for exhibition at the Los Angeles Asian Pacific Film and Video Festival, May 18-25,2000, in Los Angeles.

2000 First Quarter

Marianne Magne

To purchase two video projectors to allow expansion of a multi-dimensional work to be included in the group exhibition Bio-Ballistic at the Los Angeles Municipal Gallery at Barnsdall Arts Park in fall 2004.

2004 Third Quarter

Vics Magsaysay

For matting and framing of photographs for a solo exhibition at the San Diego Philippine Library and Museum in summer 2003.

2003 Second Quarter

Jennifer Maisel

To engage lighting and scenic designers for the production of the theater work Birds at the Rorschach Theater in Washington DC in summer 2007.

2007 First Quarter

Lynn Manning

To hire a musical accompanist and to engage a voice coach in preparation for Weights, a one-man play produced by Theater by the Blind at Urban Stages in New York in January 2004.

2003 Fourth Quarter

Lynn Manning

To include two collaborators in the performance of Shoot and Before the Drive to Oakwood Station as part of the International Festival of the Blind and Visually Impaired in Zagreb, Croatia in the fall of 2005.

2005 Second Quarter

Victoria Marks

To hire a dramaturg and a sound collagist for the evening-length dance work, Not About Iraq, as part of the NOW Festival at REDCAT in Los Angeles in summer 2006.

2006 Second Quarter

Barak Marshall

For costume and set design, music editing and studio rental in preparation for the premiere of new choreography with De De Dance in Tel Aviv, Israel in February 2005.

2004 Fourth Quarter

Daria Martin

To add a musical soundtrack to the short film, Birds, to be exhibited at the Andrea Rosen Gallery in New York in fall 2001.

2001 Third Quarter

Francisco Martinez

To support lighting design, costumes and props for two dance pieces to be performed as part of the Latino New Works Festival at Highways Performance Space in Santa Monica, California in the fall of 2005.

2005 Third Quarter

Rodney Mason

To collaborate with a filmmaker and a videographer on a new dance work, Madam in Eden, I’m Adam (part one: the final hour), a fusion of hip hop and Butoh, to be presented at Links Hall in Chicago in March 2006.

2005 Fourth Quarter

Wendy Mason

For travel to oversee installation of a solo exhibition at Proof Gallery in Boston in spring 201

2010 First Quarter

Oliver Mayer

For travel and per diem for a collaborating actor, and fees to engage a set/costumer designer, for a workshop presentation of the play, Dias Y Flores, at the Black Dahlia Theatre in Los Angeles in summer 2004.

2004 Second Quarter

Rachel Mayeri

To engage a designer and for set design for the exhibition of “Primate Cinema” at TELIC Arts Exchange in Los Angeles in spring 2008.

2008 First Quarter

Michael McCall

To frame paintings for a solo survey exhibition at the Hickory Museum of Art in North Carolina in summer 2010.

2010 First Quarter

Wendy McClellan

To pay for rehearsal space and fees for technical support staff for the premiere of the new musical, Steel: John Henry and the Shaker, as part of the Hot Properties [Inside] the Ford in January-February 2002.

2001 Fourth Quarter

John McDonald

For final color correction and sound mix of the feature documentary “On the Day” to be screened at the Piping Live! Music Festival in Glasgow, Scotland in summer 2009.

2009 Second Quarter

Michael McMillen

To hire an assistant and for film editing for the installation “Asylum of Lost Thoughts” at the Craft and Folk Art Museum in Los Angeles in spring 2009.

2009 First Quarter

Kitty McNamee

For lighting design, costumes and music composition for the premiere of the dance work Rapture at the Open Fist Theatre in Los Angeles in spring 2006.

2006 First Quarter

Marie Medina

For the participation of four collaborators for the performance of “Becoming Superfly” as part of the J.U.I.C.E. Hip Hop Festival at the John Anson Ford Amphitheater in Los Angeles in fall 2008.

2008 Third Quarter

Josh Melnick

For projector rental and materials for the installation “The 8 Train” at Art in General in New York City in spring 2009.

2009 First Quarter

David Thorne

For color correction and final audio mix of the documentary video We will live to see these things for screening at the Images Festival in Toronto, Canada and the Impact Festival in Utrecht, Holland in spring 2007.

2007 First Quarter

Juanita Meneses

For supplies for an artists’ book as part of the exhibition Not Here or There / Ni Aqui Ni Alla at the Sam Lee Gallery in Los Angeles in February 2008.

2007 Fourth Quarter

Nina Menkes

For final sound mix and online edit of the film “Dissolution” for premieres at REDCAT in Los Angeles and at the Tel Aviv Cinematheque in Israel in summer 2010.

2010 First Quarter

Diane Meyer

To print six images at large scale to include in a solo exhibition at the A.I. R. Gallery in New York City in January 2006.

2005 Fourth Quarter

Lucas Michael

For materials and to engage a collaborator for an additional sculpture for a solo exhibition at the Silverman Gallery in San Francisco in summer 2010.

2010 Second Quarter

David Michalek

To print oversize photographic prints for the exhibition, 14 Stations, at the Cathedral of St. John the Divine, co-presented by the Interfaith Assembly on Homelessness and Housing, in New York in January 2002.

2001 Third Quarter

Maggie Miller

For equipment rental and construction related to the video installation, A Wife, at Cherry Gallery in September, 2000.

2000 Second Quarter

Tim Miller

To add video projection and lighting design to the new performance work, Us, at the LA Theater Center in June 2002.

2002 First Quarter

Patrick Miller

To engage a composer and purchase materials for a performance by the Bicycle Bell Ensemble at LACE in Los Angeles as part of the LA Freewaves Festival in fall 2008.

2008 Third Quarter

Yong Soon Min

For the purchase of a video projector and related equipment for the presentation of the installation Strangers to Ourselves as part of the exhibition Trauma Interrupted at Metropolitan Museum of Manila in the Philippines in summer 2007.

2007 First Quarter

Nobuko Miyamoto

To support two guest artist/collaborators for the multidisciplinary performance, The Hallelujah Project, to take place at the Skirball Cultural Center in Los Angeles, California in February, 2001.

2000 Fourth Quarter

Michael Mizerany

For costumes, studio rental, collaborator's fees and promotion of solo dance concert at Highways Performance Space in Santa Monica, California in winter 2001.

2001 Third Quarter

Michael Mizerany

To add a live percussion band to the performance of the dance work The Man Clan at Summer Nights at the Ford in Los Angeles in summer 2003.

2003 Second Quarter

Susan Mogul

For fabrication of three “Time Pieces” for a solo exhibition at the Jancar Gallery in Los Angeles in fall 2009.

2009 Third Quarter

Susan Mogul

For sound mixing and sweetening of the film Driving Men for screening at the Visions de Reel in Nyon, Switzerland in April 2008.

2007 Fourth Quarter

Susan Mogul

For an interactive digital component to be added to the premiere of the performance memoir “The Challenge of Crafting a Life,” a retrospective of film and video to be screened at the Nyon International Film Festival in Switzerland in…

2008 Fourth Quarter

Shyamala Moorty

To engage a video collaborator and incorporate a video component in her dance, Meet the Goddess, to be performed at the Other Festival in Chennai, India in winter 2006.

2006 Third Quarter

Shyamala Moorty

To hire a director and multimedia collaborator for the performance work to be presented as part of “Afterlife: Artwallah 2010” at Highways Performance Space in Santa Monica, California in summer 2010.

2010 Second Quarter

Rebecca Morris

For travel to Chicago to oversee installation, catalogue preparation and to attend a related concert by her father, composer Robert Morris, in connection with her survey exhibition a the Renaissance Society in May/June 2005.

2005 First Quarter

Joey Morris

To print large scale work and for custom framing of photographs for a solo exhibition at the California Museum of Photography in Riverside, California in fall 2010.

2010 Second Quarter

Brian Moss

To purchase x-ray viewers for a photographic exhibition/residency with cancer patients at the Delaware Center for Contemporary Art, Hennessy Project Space in summer, 2001.

2001 Second Quarter

Brian Moss

For the production of offset prints to accompany a COLA exhibition at the Barsndall Municipal Art Gallery in Los Angeles in spring 2010.

2010 First Quarter

Hillary Mushkin

For the printing, mounting, laminating of five large format digital color photographs for exhibition and catalog at the Frankfurt Art Fair in Frankfurt, Germany in late March 2000 and the Cirrus Gallery in Los Angeles in April of 2000.

2000 First Quarter

Hillary Mushkin

To add flocked wallpaper to a solo exhibition of the series of drawings “Girl with Lions” at the Artower Agora Gallery in Athens in spring 2010.

2010 First Quarter

Gifford Myers

For the costs of fabricating a fiberglass sphere for the sculpture, Globalization, to be exhibitied as part of a solo show at the Armory Center for the Arts in January 2003.

2002 Fourth Quarter

Rick Nahmias

To incorporate listening stations with an audio soundtrack, and to create a wall-mounted map of California for his photo-documentary exhibition, Golden States of Grace: Prayers of the Disinherited, at the Fullerton Museum of Art in Orange…

2006 Third Quarter

Meena Nanji

For a surround sound mix for the feature documentary, View From a Grain of Sand, to be premiered at the San Francisco International Asian American Film Festival in spring 2006.

2006 First Quarter

Ken Narasaki

For set construction and additional rehearsal space in preparation for the production of the play Innocent When You Dream at the Electric Lodge in Venice, California in October of 2007.

2007 Third Quarter

Jude Narita

To engage a technical director and stage manager for the performance of the one-woman play “From the Heart” at Vashon Allied Arts on Vashon Island in Washington in spring 2009.

2009 First Quarter

Jude Narita

For a lighting designer and stage manager for performance of “From the Heart” at the Muckenthaler Cultural Center in Fullerton, California in February 2011.

2010 Fourth Quarter

Norma Navarro

For the purchase of materials and equipment related to an exhibition of carved gourds to take place at Plaza de la Raza in Los Angeles, California from May - June, 2001.

2000 Fourth Quarter

Sara Newey

For photo backdrop and materials for a collaborative installation with Christy McCaffrey at Machine Project in Los Angeles in April 2009.

2009 First Quarter

Christine Nguyen

For materials and shipping for a salt crystallization specimens sculptural installation at the Crisp-Ellert Art Museum in St. Augustine, Florida in early 2011.

2010 Fourth Quarter

Patrick Nickell

For lodging and per diem during a stay to oversee the installation of a mid-career survey of the artist’s sculpture at the University of Texas at San Antonio Art Gallery in January 2005.

2004 Fourth Quarter

Rebecca Niederlander

To engage two preparators and for window design related to a site-specific storefront installation in Beverly Hills by Phantom Galleries LA in summer/fall 2007.

2007 Second Quarter

Linda Nishio

For the costs of printing and framing two additional piezo pigment prints, and for fabricating a new sculpture, for the exhibition Studies for Calligraphic Paintings at the Japanese American Cultural & Community Center in February…

2003 Fourth Quarter

Jennifer Nocon

To make an additional site-specific installation for a solo exhibition at the Santa Barbara Contemporary Arts Forum in spring 2009.

2008 Fourth Quarter

Timothy Nolan

For materials and fabrication costs to expand the scale of an installation at Smack Mellon in Brooklyn as part of the Site 92 Exhibition in early 2011.

2010 Fourth Quarter

Katharine Noon

To engage a dramaturg and set designer, and for additional set materials for the performance of the theater work Orestes Remembered: The Fury Project at the Powerhouse Theatre in Santa Monica, California in March 2007.

2006 Fourth Quarter

Danial Nord

For the purchase of high-tech audio system for the solo exhibition Welcome Home at HAUS Gallery in Pasadena, California in spring 2007.

2007 First Quarter

Yann Novak

To upgrade equipment and rent additional rehearsal space in preparation for a sound performance at “immersion,” hosted by Oboro in Montreal in February 2011.

2010 Fourth Quarter

Stephanie Nugent

To support video and music production for a dance work to premier at New Dance at Saint Joseph Ballet in February 2008.

2007 Fourth Quarter

David O

To add three live musicians to the performance of Duel, a musical theater work produced by the Oasis Theater Company at the Hollywood Court Theater in Los Angeles in January 2004.

2003 Fourth Quarter

Michele O’Marah

For the fabrication of light boxes and to purchase a video projector for simultaneous exhibitions at Cottage Home and Sister in Los Angeles in January 2010.

2009 Third Quarter

Chris Oatey

To build a scaffold and hire assistants for the preparation of a large scale wall drawing at the University of La Verne Tall Wall Space from February to November 2009.

2008 Third Quarter

Ruben Ochoa

To purchase an automotive turntable for the sculptural installation of Class: C, a tortilla delivery van-turned gallery, as part of the Orange County Museum of Art's 2004 California Biennial in Newport Beach, California in fall 2004.

2004 Second Quarter

Ruben Ochoa

To hire a rebar specialist to assist the production of an installation at the PinchukArtCentre in Kiev, Ukraine in fall 2010.

2010 Third Quarter

Prumsodun Ok

For costumes and accessories for the performance of “Gestures of the Khmer Soul,” a performance of old and new Cambodian classical dance at the Red Poppy Art House in San Francisco in May 2009.

2008 Fourth Quarter

Eamon Ore-Giron

For the fabrication of a sound-room using mirror for the installation “Migrant Dubs,” to be part of the exhibition “Phantom Sightings” at the Los Angeles County Museum of Art in spring and summer 2008.

2008 First Quarter

Jasmine Orpilla

For sound equipment for a music theater performance by Vault at the Los Angeles Theatre Centre in summer 2010.

2010 Second Quarter

Ara Oshagan

To print large-scale photographs for the exhibition of “Juvies” at the Armory Center for the Arts in Pasadena, California in summer 2010.

2010 Second Quarter

Ruby Osorio

For studio rental in advance of her first solo museum show and advance travel to the venue to prepare for an installation scheduled for March 2005 at the Museum of Contemporary Art in St. Louis.

2004 Fourth Quarter

Gina Osterloh

For spot lights and fabric to create an additional piece for the exhibition Psychic Outlaws at the Luckman Gallery at California State University in Los Angeles in fall 2010.

2010 Third Quarter

Paul Outlaw

To engage a technical director and lighting designer for the solo performance of “Berserker” at the Black and Latino Queer Performance Festival at Northwestern University in Evanston, Illinois in spring 2008.

2008 First Quarter

Anna Oxygen

To add live music to the multimedia performance project “Under Polaris” by Cloud Eye Control at REDCAT in Los Angeles in fall 2009.

2009 Third Quarter

Marcella Pabros-Clark

For a projector, p.a. system and additional rehearsal for the multi-media work “Healing Mars,” as part of the TeAda Works New Performance Festival in Los Angeles in March 2009.

2008 Fourth Quarter

Nate Page

To engage a collaborator and expand the scale of an installation at Woodbury Hollywood Exhibitions in Los Angeles in January 2010.

2009 Fourth Quarter

Taisha Paggett

To hire a professional fabricator for set construction for the solo show “Instruments of Risk” at Sea and space Explorations in Los Angeles in January 2010.

2009 Fourth Quarter

Karthik Pandian

To add four wall-mounted works to a solo exhibition at Midway Contemporary Art in Minneapolis in fall 2010.

2010 Third Quarter

Carrie Paterson

To attend “Less Remote,” a convening of the International Astronautical Congress in Glascow, Scotland in fall 2008 in conjunction with the screening of her film “Several attempts to make the image of the Moon and Mars by landing on…

2008 Third Quarter

Patricia Payne

To purchase a video projector to enable the inclusion of projected images as part of a spoken word performance at WordFest: Banff-Calgary International Writers Festival in Canada in fall 2004.

2004 Third Quarter

Elizabeth Pence

For the creation of a display box as part of Ms. Pence's participation in the exhibition, Cleaning Up, at The Helen Lindhurst Gallery at USC, in Los Angeles, California from October 1 - 21, 2000.

2000 Third Quarter

John Pennington

To support costume reconstruction and documentation of Dances Before God, an historic recreation of a dance suite by the German modern dance pioneer Harald Kreutzberg at the Tanzwoche Festival in Dresden, Germany in June 2002.

2002 Second Quarter

John Pennington

To add live music to a dance performance of Dancing the Botanical - Cross Pollination in the Arts at the Huntington Library and Gardens in San Marino, California in summer 2007.

2007 First Quarter

Licia Perea

To add a video component to a new dance work, Coyolxauhqui ReMembers, to premiere at the National Hispanic Cultural Center in Albuquerque, New Mexico in January 2006.

2005 Fourth Quarter

Rudy Perez

To engage a composer and to support additional rehearsal time and lighting design for the performance of the choreographic work “open suite/Whoosh the Traffic” for the 20th anniversary exhibition “Installations Inside/Out” at the…

2009 Third Quarter

Ann Perich

For the rental of a digital video camera and projectors, and the purchase of related software for Ms. Perich's performance piece, The Bride and The Bachelor, as part of The Seventh Annual Hot & Sticky Performance Extravaganza at the…

2000 Third Quarter

Joan Perlman

To add a video installation, From Ice, to a solo exhibition of paintings at the Hafnarborg Institute of Culture and Fine Art in Iceland in summer/fall 2007.

2007 Second Quarter

Renee Petropoulos

To add a sound component to her solo exhibition, Prototype of the History of Painting, Eingrouping; Social Historical Latin America, at the Museo de Arte de El Salvador in spring/summer 2005.

2005 First Quarter

Ankica Petrovic

For sound editing and voice-over narration for the documentary film “John Filcich – Life in a Circle Dance” at the South East European Film Festival in Los Angeles in spring 2008.

2008 First Quarter

Mathias Poledna

To complete the sound component of a film from Papua New Guinea in conjunction with a solo exhibition at the Armand Hammer Museum in Los Angeles in January 2007.

2006 Fourth Quarter

Linda Pollack

To construct a special sculptural seating unit for an interactive performance of Patriot Acts as part of the series, The Future of Nations, at the 19th Street Arts Center’s Project Room in Santa Monica, California from fall 2007 to spring…

2007 Second Quarter

Linda Pollack

For shipping of installation components of the “Habeas Lounge” for exhibition at the City University of New York art gallery in fall 2008.

2008 Third Quarter

Lionel Popkin

To support the costs of additional rehearsals for the performance of the dance, And Then We Eat, for presentation at Jacob's Pillow Dance Festival in August 2004.

2004 Second Quarter

Lionel Popkin

For additional rehearsal of the evening-length choreography, Miniature Fantasies, for performance at the Getty Museum in Los Angeles in fall 2007.

2007 Second Quarter

Lionel Popkin

To support the creation of costumes and a sound score for Magic Carpet Solos, a dance work to be performed as part of the New Original Works (NOW) Festival at REDCAT in Los Angeles in the summer of 2005.

2005 Second Quarter

Endi Poskovic

To ship wood blocks for inclusion in solo exhibitions at the Academy of Fine Art in in Ghent, and the Frans Masereel Centrum in Kasterlee-Antwerp, both in Belgium, in spring and summer 2008.

2008 First Quarter

Pirayeh Pourafar

To add performers to an ensemble for a performance of Persian folk music at the Persian American Cultural Center in Berkeley in December 2008.

2008 Fourth Quarter

Viji Prakash

For live musicians and costumes for a dance performance in the Emerging Voices Project as part of the 2008 World Festival of Sacred Music in Los Angeles in spring 2008.

2008 First Quarter

Paula Present

To engage set and costume designers for the premiere of the dance work, The Frame of Mind, by PTERO Dance Theatre at the Unknown Theatre in Los Angeles in summer 2007.

2007 Second Quarter

Paula Present

To add three dancers to the performance of the dance wok “Joie de Vivre” at Celebrate Dance at the Alex Theatre in Glendale, California in March 2010.

2009 Fourth Quarter

Natasa Prosenc

To digitally master an analogue video for the video art exhibition “Sounds and Visions” to be held at the Tel Aviv Museum of Art in Israel in spring 2009.

2008 Fourth Quarter

Allison Ragguette

For materials to expand an installation at the International Museum of Surgical Science in Chicago in winter 2010.

2010 Third Quarter

Martha Ramirez-Oropeza

For rental of sound and lighting equipment and stipends for a director and assistant director for the performance of the Pastorela at the Social and Public Art Resource Center in Venice, California in December 2004.

2004 Fourth Quarter

Phil Ranelin

To engage saxophonist Wendell Harrison for the performance of the jazz work Sweets for Melba at Barnsdall Gallery Theatre in Los Angeles in spring 2007.

2007 First Quarter

Jessica Rath

To support collaborator fees for a choreographer, musical director and graphic designer for Return Engagement at Garment City, a traveling performance on the MTA in February 2002.

2001 Fourth Quarter

Jessica Rath

For additional speakers, sound engineering and the construction of a spiral wall for the installation Bird Knocking at the Torrance Art Museum in Torrance, California in the winter and spring of 2008.

2007 Third Quarter

Sohini Ray

To engage an additional dance, to ship drums and for video editing in preparation for a tour of Manipuri Dance Visions Ensemble in England, Germany and Poland in summer 2009.

2009 Second Quarter

Dont Rhine

For equipment and materials to expand the solo installation by Ultra-Red at the Kwazulu Natal Society of Arts in Durban, South Africa in fall 2008.

2008 Second Quarter

Marco Rios

For fabrication of a 7-part mold for the sculpture “Paxil Boy (The Nightmare)” to be included in the exhibition “This is Killing Me” at MASS MoCA in North Adams, Massachusetts in spring 2009

2009 First Quarter

Sue Ann Robinson

For fees to an essayist and framing of select works for the exhibition of Chisholm Hours and Other Trails — the Artist's Books of Sue Ann Robinson, at the Durango Art Center in Colorado in spring/summer of 2003.

2003 First Quarter

Jennifer Rochlin

To ship additional paintings and to travel to Milwaukee, Wisconsin for an exhibition at the Institute of Visual Arts in the fall of 2007.

2007 Third Quarter

Steve Roden

To purchase speakers and support the costs of CD manufacture related to a sound installation at the MAK Center for Arts and Architecture to take place in summer, 2001.

2001 Second Quarter

Carlos Rodriguez

For the purchase of digital signal processors to be used in musical compositions commissioned by the Los Angeles Chamber Ballet for a new dance work at the Luckman Auditorium at Cal State Los Angeles in spring 2003.

2002 Fourth Quarter

Artemio Rodriguez

To purchase materials for large-scale linocuts to be included in a solo exhibition at BGH Gallery in Santa Monica, California in February 2004.

2003 Fourth Quarter

Raiford Rogers

For costume design and construction for the premiere of the dance work “Grosse Fuge” at the Luckman Fine Arts Complex at California State University in Los Angeles in summer 2008.

2008 Second Quarter

Ken Roht

For the construction of a sculptural boat to be used as a set piece for the performance of the music theater piece, Echo’s Hammer, at the Theatre at Boston Court in Pasadena, California in spring 2005.

2004 Fourth Quarter

Sonia Romero

For master printing and framing of linoleum cut designs for exhibition at Mama’s Hot Tamales in Los Angeles in conjunction with the unveiling of her permanent public art installation of a large mosaic tile mural in the MacArthur Park…

2008 Third Quarter

Arturo Romo

To build free-standing walls for a solo exhibition at Tropico de Nopal Gallery and Art Space in Los Angeles in fall 2009.

2009 Third Quarter

William Roper

To pay for rehearsal space and fees for a studio engineer to remix a soundscape for a retrospective concert of works for solo tuba and clarinet at the Meridian Gallery in San Francisco in October 2002.

2002 Second Quarter

Deborah Rosen

For music, software and costume design for the dance work “The Space Between, Before, and After,” to be performed at Jamie Nichol’s Celebrate Dance at the Alex Theater in Glendale, California in March 2011.

2010 Fourth Quarter

Daniel Rothman

To hire an electrical engineer and a lighting designer to assist in the production of a large-scale sound and light installation at the Nachtspeicher arts festival, produced by the Verien in Gründug in Bremen, Germany in fall 2004.

2004 Second Quarter

David Rousseve

To transfer video to 16 mm film for the world premiere of Bittersweet as part of the Los Angeles’ Dance Camera West Festival in summer of 2005.

2005 Second Quarter

Steven Rowell

For equipment and materials to simulate a sonic boom, as part of the sound-based project Tactile Air to be installed in collaboration with Simparch at the Contemporary Arts Center in Cincinnati in spring through fall of 2006.

2006 First Quarter

Adam Rudolph

To ship additional instruments and to extend the rehearsal period for the premier of the new ensemble Adam Rudolph's Moving Pictures Octet at Symphony Space, produced by the World Music Institute, in New York City in fall 2006.

2006 Third Quarter

Adam Rudolph

To support collaborators' fees and travel costs related to a performance of Adam Rudolph's Moving Pictures music ensemble at the Vision Festival in New York in June, 2001.

2001 Second Quarter

Adam Rudolph

To transform an evening of solo work into a series of duets, by supporting musical collaborators’ fees for A Don Cherry Celebration at The Stone in New York in the fall of 2005.

2005 Third Quarter

Ian Ruskin

To engage an editor for final cut editing of the film “From Wharf Rats to the Lords of the Docks,” to be screened on KQED and other PBS stations in summer 2009.

2009 Second Quarter

Ian Ruskin

To include the projection of archival photographs in the one-man play From Wharf Rats to Lords of the Docks, about the time of labor leader Harry Bridges, at the Pacific Resident Theatre in Los Angeles in summer 2006.

2006 Second Quarter

Tim Rutili

For film to video transfer, online editing and DVD master of his film, 3 legged animals, to be included in the live music/media program "Distributed Memory" at the Getty Center in Los Angeles in fall 2006.

2006 Third Quarter

Analia Saban

For materials and sculpture fabrication for a solo exhibition at the Thomas Solomon Gallery @ Cottage Home in Los Angeles in fall 2009.

2009 Second Quarter

Michael Sakamoto

For set construction and lighting design expenses associated with Amai at the Fresh Tracks Contemporary Performance Series at the Japanese American Cultural and Community Center in Los Angeles on April 16, 2000.

2000 First Quarter

Michael Sakamoto

For lighting design and additional rehearsal space rental in preparation for the performance of the ensemble work, The Rite of Spring, at the Theatre of Yugen in San Francisco in February 2005.

2004 Fourth Quarter

Eric Saks

For audio sweetening of video works created in collaboration with Patrick Tierney, to be premiered at REDCAT Theatre in spring 2004.

2004 First Quarter

Connie Samaras

To print and frame four additional works to be included in the Adaline Kent Awardee solo exhibition, Angelic States—Event Sequence, at the Walter and McBean Galleries at the San Francisco Art Institute in the summer of 2002.

2002 Second Quarter

Connie Samaras

For printing and framing of large-scale photographic works for an exhibition in the Governor’s Gallery in the New Mexico Museum of Art in Santa Fe in spring 2011.

2010 Fourth Quarter

Gema Sandoval

For van rental and accommodations for artists for a performance by Danza Floricanto/USA as part of the CounterPULSE 2009 Performing Arts Diaspora Program in San Francisco in fall 2009.

2009 Third Quarter

Joseph Santarromana

To hire a camera operator, a sound operator and sound sweetening for the installation “Malambing Thang” in the exhibition Humor Us at the Los Angeles Municipal Art Gallery at Barnsdall Park in the fall of 2007.

2007 Third Quarter

Eduardo Sarabia

For the rental and transportation of props to be included in an installation as part of a solo exhibition at 404 Arte Contemporanea in Naples, Italy in fall 2004.

2004 Third Quarter

Eduardo Sarabia

For the design and creation of a pamphlet in connection to a site-specific installation at the office of the U.S. Consulate in Guadalajara, Mexico in March 2009.

2008 Fourth Quarter

Aili Schmeltz

For materials and assistance to expand a solo show of sculptural installation at the Museum of Contemporary Art in Tucson, Arizona in spring 2011.

2010 Fourth Quarter

Karen Schwenkmeyer

To purchase a digital printer and supplies, enabling a transfer from analog to digital prints, for photographs to be presented in the exhibition, Sketchbook, at Pierce College in Woodland Hills, California in March, 2003.

2003 First Quarter

Kari Rae Seekins

To purchase hypersonic speakers for a sound installation as part of the exhibition “The Future Imaginary” at the Ben Maltz Gallery at Otis College of Art and Design from January through March 2009.

2008 Fourth Quarter

Alexandro Segade

To engage sound and production designers, and for additional rehearsal, in preparation for the multimedia performance “Replicant vs. Separatist” in the New Original Works Festival at REDCAT in Los Angeles in summer 201

2010 Second Quarter

Adriana Sevan

To hire a composer/music supervisor in preparation for her solo performance of the play Taking Flight, produced by LA Theatre Works at the Skirball Cultural Center for subsequent radio broadcast, in January 2007.

2006 Fourth Quarter

Anna Sew Hoy

To build a camera obscura as part of an exhibition by Two Serious Ladies at Ditch Projects in Springfield, Oregon in summer 2010.

2010 First Quarter

Roberta Shaw

To refine the music score with a recording of live instruments for the dance-film “Dominion,” to be screed at the 2010 Dance Camera West Festival in Los Angeles in June 2010.

2010 First Quarter

Kyungmi Shin

To support a video component of the solo installation Rich in the project gallery at the 18th Street Arts Center in spring 2008.

2007 Fourth Quarter

Dipankar Shome

To support musical collaborations for a performance at the jazz venue Iridium in New York City in winter 2010.

2010 Fourth Quarter

Jennifer Siegal

To create a three-dimensional stereolithograph of the Shakespeare Mobile to be included in the exhibition Reinventing the Globe: A Shakespeare Theater for the 21st Century at the National Building Museum in Washington DC from January to…

2006 Fourth Quarter

Susan Silton

To provide traditional letterpress printing of text pages for the mixed media piece, Tornado in a Box, for a solo show at Feigen Contemporary Gallery in New York City in fall 2003.

2003 Third Quarter

Susan Silton

To engage an arranger and for additional rehearsals in preparation for a whistling performance by The Crowing Hens at LAX-ART in Los Angeles in March 2010.

2009 Fourth Quarter

Susan Simpson

To engage a lighting designer and for additional rehearsal time for the performance of the puppet play Frankenstein: Mortal Toys at HERE Arts Center in New York City in January of 2008.

2007 Third Quarter

Susan Simpson

To support fees for a lighting designer and composer related to a puppetry performance at the Museum of Jurassic Technology in Los Angeles in fall 2001.

2001 Third Quarter

Susan Simpson

For the design and construction of a modular stage for the performance of Episode II of the Sunset Chronicles, a multimedia puppetry work, at II Corral in Hollywood in summer of 2005.

2005 Second Quarter

Tammy Singer

For the production on additional work for inclusion in a solo exhibition by Los Animistas, as part of the series “Future of Nations” at 18th Street Art Center in Santa Monica, California.

2008 Second Quarter

John Sinner

To engage a lighting and sound designer for the performance of “The Devil Has A Sister: A Sororicidal Tale” at the Amsterdam Fringe Festival in fall 2009.

2009 Second Quarter

Jim Skuldt

For amplifiers, light gels and travel to oversee the installation of Distribution I: 2-ton Speaker Cluster, Cranked at the Sculpture Center in Long Island City, New York in January of 2008.

2007 Third Quarter

Leslie Sloan

To incorporate stock footage and add music cues to the film High Heels on Wheels, for screenings at Outfest: The Los Angeles Gay and Lesbian Film Festival, the San Francisco International Lesbian & Gay Film Festival and at Cornerstone…

2005 Second Quarter

Kristin Smiarowski

To hire an event manager and extend rehearsals for a site-specific dance, Groundswell, in collaboration with composer Robert Een at the Ballona Freshwater March in Los Angeles in fall 2006.

2006 Third Quarter

Moira Smiley

To engage two vocal collaborators for the performance of Bartok Sings at Warren Wilson College in Asheville, North Carolina in February 2007.

2006 Fourth Quarter

Barbara Smith

For post-production and editing of a video art work to be included in a solo retrospective exhibition, The 21st Century Odyssey Part II: The Performances of Barbara T. Smith, at the Pomona College Museum of Art in spring 2005.

2004 Fourth Quarter

Barbara Smith

To engage video camera operators and for a still camera for preparation of imagery for the durational performance piece “A Meditation on Time” as part of the 20th anniversary exhibition “Installations Inside/Out” at the Armory…

2009 Third Quarter

Juliana Snapper

For live musical accompaniment for the underwater operatic spectacle “5 Fathoms Deep My Father Lies” as part of the series “The Odds Are Against Us” at PS1 Contemporary Art Center in Long Island City, New York in spring 2008.

2008 First Quarter

Juliana Snapper

For video projection equipment rental for the underwater opera project “You who will emerge from the flood” to be performed in Manchester, England as part of the Queer Up North Performance Festival in spring 2009.

2009 First Quarter

Joe Sola

To engage a composer and support the costs of soundtrack production for the conceptual audio project “More Cinematic Reviews of the Artwork of Joe Sola” by 323 Projects, an online space, in spring 2011.

2010 Fourth Quarter

Judy Soo Hoo

For lighting and set elements for the production of her play, Solve for X, by the Lodestone Asian-American Theatre Ensemble at the Grove Theater in Burbank, California in March/April 2005.

2005 First Quarter

Cynthia Sophiea

To engage musicians, a dramaturge and technical support for the solo performance of “Everyone Has Tears” at Hofstra University in Long Island, New York in fall 2010.

2010 Second Quarter

Wilfried Souly

To engage a master drummer and for lighting design for a dance performance at the Wild Dance West Festival in Albuquerque, New Mexico in summer 2009.

2009 Second Quarter

Luciana Souza

To engage a guitarist, a percussionist and copyist for a performance with Symphonic Jazz Orchestra in Los Angeles in fall 2010.

2010 Third Quarter

Brad Spence

To hire assistants and purchase materials for painting of the exhibition space at the University Art Museum at Cal State Long Beach as part of a solo exhibition in summer 2003.

2003 Second Quarter

Jeni Spota

To create a silver cast of a painting for the solo exhibition “Don’t Tread on Me” in the Project Room at the Santa Monica Museum of Art in spring 2009.

2009 First Quarter

D’Lo Dilani Srijaerajah

To engage a technical director and dramaturg in preparation for the solo show “Ramble-Ations: A One D’Lo Show” at Brava Theater in San Francisco in March 2010.

2009 Fourth Quarter

Monikka Stallworth

To support a final sound mix for the short film, Mello´s Kaleidoscope, to be screened by Blackfilm.com as part of the Midnight Screening Series at Lincoln Center in New York in fall 2002.

2002 Third Quarter

Sally Stein

For the reproduction of transparencies and a promotional postcard related to the projection of the photographic series, Connected Still, at the Laemmle Grand theaters in Los Angeles, co-presented by Side Street Projects, in fall 2001.

2001 Third Quarter

Roxanne Steinberg

For travel and fee for a collaborator, percussionist Leon Mobley, to accompany a new solo dance work, Dandelion, to be performed at Dance Conversations at the Flea in New York in April 2006.

2006 First Quarter

George Stone

To support the costs of transferring video works to DVD for a solo retrospective at the Barnsdall Municipal Art Gallery in Los Angeles in 2003.

2002 Fourth Quarter

Erika Suderburg

For digital effects editing for the experimental documentary video project, L.A. Topographics, to be presented at FilmForum on September 17, 2000.

2000 Second Quarter

Erika Suderburg

For audio sweetening of the feature length video, Decline and Fall, and to purchase a video deck for a screening by Filmforum at the Egyptian Theater in Los Angeles in January 2007.

2006 Third Quarter

May Sun

For the construction of three light-boxes to hold color transparencies in an exhibition at Apex Art in New York City in January 2002.

2001 Fourth Quarter

Emiko Susilo

To support travel for two musical collaborators, from Hawaii and New York, to perform with the APPEX (Asian Pacific Performance Exchange) Ensemble as part of the World Festival of Sacred Music at the Japanese American National Museum in Los…

2005 Second Quarter

Renee Tajima-Pena

For titles and on-line animation of the feature-length documentary film “Calavera Highway” to be screened at the San Francisco Film Festival in spring 2008.

2008 First Quarter

Ami Tallman

For scaffolding and opaque projector in preparation of a mural as part of a solo show at Circus Gallery in Los Angeles and summer and fall 2009.

2009 Second Quarter

Lisa Tan

To frame a large print and to hire an assistant for the installation of site-specific work in an exhibition at the Sweeney Art Gallery at the University of Riverside in Riverside, California in March 2003.

2002 Fourth Quarter

Lisa Tan

For the framing and shipping of a large photographic print, and for travel to oversee the installation of work as part of a group show at Artists Space in New York in fall 2004.

2004 Third Quarter

Kara Tanaka

To produce an artist book, “Considered Ends,” for the exhibition “Death’s Boutique” at Yerba Buena Center for the Arts in San Francisco in March 2010.

2009 Fourth Quarter

Haruko Tanaka

To cover the costs of DVD transfer of the film, California Telephone, and travel to the Women of Color Film Festival at the Pacific Film Archive in Berkeley in spring 2004.

2004 First Quarter

P. Frank Olivier Tarpaga

To engage a costume designer, and for a video backdrop and lighting materials, for Baker & Tarpaga Dance Project's performance at Dialogue de Corps in Burkina Faso in December 2007.

2006 Fourth Quarter

P. Frank Olivier Tarpaga

For a collaborator’s travel and lighting design for presentation of the solo dance work “Recto-Verso” at the Abok I Ngoma International Festival in Cameroon in spring 2010.

2009 Fourth Quarter

Joseph Tepperman

To engage collaborators and for the construction of three floats for the parade opera “Tongues Bloody Tongues” as part of the New Original Works Festival at REDCAT in Los Angeles in summer 2010.

2010 Second Quarter

Melissa Thorne

For the construction of special panels and frames related to a solo exhibition of paintings at the Devin Borden Hiram Butler Gallery in Houston, Texas in summer 2002.

2002 First Quarter

Janice Tieken

To print five images at large scale to include in a solo exhibition at the Cypress College Gallery in Cypress, California in January 2006.

2005 Fourth Quarter

Elizabeth Tobias

To support the cost of props and costume design and fabrication for the performance of the interactive theater work Dia de los Muertos – Cuenta de mi Familia at the Powerhouse Theater in Santa Monica, California in fall 2004.

2004 Third Quarter

Elizabeth Tobias

For materials to expand the scale of an installation in the Guggenheim Gallery at Chapman University as part of an art/science collaborative project, Measure for Measure.

2010 Fourth Quarter

T. Kim-Trang Tran

For final audio mixing and DVD mastering of Epilogue: The Palpable Invisibility of Life, to be screened as part of a special retrospective of the artist's work at the David Henry Hwang Theater by Visual Communications in Los Angeles in…

2006 Third Quarter

T. Kim-Trang Tran

For purchase of videotape stock, rental of equipment and duplication of the video work, alexia, to be part of an exhibition at Filmforum at the Armand Hammer Museum of Art in Westwood, California on December 12, 2000.

2000 Fourth Quarter

Roger Triana

For special framing of photographs to be exhibited at the Latino Art Museum in Pomona, California in spring 2004.

2004 First Quarter

Kerry Tribe

To add photographs to a solo exhibition at Arnolfini in Bristol, England in summer 2010.

2010 First Quarter

Kerry Tribe

For travel and expenses to shoot additional footage, and to hire a sound engineer, for a solo show of the video installation, Florida, at Los Angeles Contemporary Exhibitions in October 2003.

2003 Third Quarter

Mary Trunk

For color correction and final mix of the film Plain Art to be screened at the Fargo Film Festival in North Dakota in March 2008.

2007 Fourth Quarter

Shirley Tse

For travel to London to oversee installation of an exhibition at the Nylon gallery in fall 2001.

2001 Third Quarter

Carrie Ungerman

For storage and materials to expand the installation “silverflow” for exhibition at the Ben Maltz Gallery at the Otis College of Art and Design in Los Angeles in spring 2009.

2009 First Quarter

Linda Vallejo

For custom framing and enhanced lighting of an installation at the Natural History Museum of Los Angeles from January to March 2006.

2005 Fourth Quarter

Monique van Genderen

For the shipping of five panel paintings to be included in the artist's installation at the Corcoran Gallery of 48th Biennial in Washington DC in spring 2005.

2004 Fourth Quarter

Karina Velasco

To hire a guitarist and percussionist for a dance performance by Cuatros Caminos Arts & Flamenco as part of Semblanza Latinoamericana at the Ricardo Montalban Theater in Hollywood, California in August 2008.

2008 Second Quarter

Leonardo Vilchis

For digital editing of video related to the exhibition, Squatters, and related performance activity at the Museum of Contemporary Art of Serralves in Portugal from June 10 to 12, 2001.

2001 First Quarter

Carlos Wagmister

For the shipping of a touch screen video monitor for use in exhibiting...two, three many Guevaras, at the Archiving as Art project at the Salle Michel Journiac, Universite Paris, in Paris, France from December 6 - 16, 2000.

2000 Third Quarter

Jeff Warrin

To support a craftsman's fees and materials to build special screens for an “expanded cinema” presentation of, All Pieces of a River Shore, at the Whitney Biennial in spring 2002.

2002 First Quarter

Mami Watu

For composer fees and additional studio rehearsal time in preparation for a spoken word performance at LKJ Thuringen in Germany in association with International Women’s Day in March 2010.

2009 Fourth Quarter

Richard Wearn

For custom wall fabrication and rear screen projection for the solo video installation “Trouw” at Crisp London in January 2010.

2009 Fourth Quarter

Mary Weatherford

To engage panelists and a translator for a live event in conjunction with the exhibition of “Caves” at Galerie John Tevis in Paris in summer 2009.

2009 First Quarter

Joan Weber

For materials and custom framing for an exhibition at Bandit Gallery in Los Angeles in spring 2009.

2009 First Quarter

Lauren Weedman

For rehearsal space, video editing and to engage a choreographer for a performance at REDCAT NOW Festival in Los Angeles in summer 2009.

2009 Second Quarter

Daniel Wheeler

To hire an assistant for the installation of the large scale work You Are Here at the Ben Maltz Gallery of the Otis Art Institute in Los Angeles in spring 2004, and to incorporate performances by Liz Young into the solo exhibition.

2004 First Quarter

Pae White

To hire studio assistants and materials in preparation for the installation of a mobile at the Armand Hammer Museum in Los Angeles in February 2004.

2003 Fourth Quarter

Pae White

To weave and ship a trompe l'oeil tapestry for exhibition at the Hirschhorn Museum and Sculpture Garden in Washington DC in the spring and summer of 2007.

2006 Fourth Quarter

Elizabeth Wilder

To enable the artist to attend the production of her play Fresh Kills at the Royal Court Theater in London in fall 2004.

2004 Third Quarter

Dee Williams

To create a catalogue as a working component of the exhibition East First Street to take place at Art 2102 in East Los Angeles in fall 2004.

2004 Third Quarter

Meg Wolfe

For the fireproofing of sets and purchase of a digital video camera to facilitate the bi-coastal preparation for the dance work Stormy Days with Josephine, to be presented at Danspace Project at St. Mark’s in New York in fall 2004.

2004 Third Quarter

Meg Wolfe

To engage a composer, musician and lighting designer, and to build out the set for the performance of the experimental dance work “The Lady Has No Name” at the Unknown Theater in Los Angeles in summer 2008.

2008 First Quarter

Terry Wolverton

To hire a graphic designer and support production of The Sense of Site, a collection of literary works to be presented as postcards and distributed at restaurants, coffee houses, fitness centers and retail establishments throughout Los…

2002 Second Quarter

Terry Wolverton

To engage live musicians and a visual artist/collaborator for the workshop production of “Embers,’ a novel in poems, at the Los Angeles Central Library as part of the Aloud Series in January 2009.

2008 Third Quarter

Kristina Wong

To hire a director/dramaturg and a technical director for the performance of her solo show, Free?, at La Peña Cultural Center in Berkeley, California in spring 2004.

2004 First Quarter

Steven Wong

To make sets of two additional chinaware plates for installation/use at the Imperial Inn restaurant as part of the large-scale project Chinatown In/Flux, presented by the Asia Art Initiative, in Philadelphia in the fall and winter of 2005. …

2005 Second Quarter

Kristina Wong

To hire a technical director and a dramaturg for the solo show Wong Flew Over the Cuckoo’s Nest, to be performed in New York City for the National Asian American Theater Festival in summer 2007.

2007 Second Quarter

Kristina Wong

To hire a director and media designer for the presentation of performance dialogues at the National Asian American Theater Festival in New York in fall 2009.

2009 Second Quarter

Heather Woodbury

To create a companion exhibition of archival photographs and other mementos in conjunction with the premier of her play, Tale of 2 Cities: An American Joyride on Multiple Tracks, at the Freud Playhouse as part of UCLA Live in Los Angeles…

2006 Third Quarter

Heather Woodbury

To engage a lighting designer and a director for the solo comedic play “The Last Days of Desmond ‘Nani’ Reese – A Stripper’s History of the World,” to be performed at The Culture Project in spring 2008.

2008 First Quarter

Miranda Wright

To support the video exchange component of the play Cooking Oil at the National Theater in Kampala, Uganda in fall 2010

2010 Third Quarter

Lan-Chiann Wu

For custom framing of Chinese ink paintings for the exhibition 3 Paths to Expression in the Jacobs Gallery at the Maloof Foundation throughout 2011.

2010 Fourth Quarter

Gwendolyn Wyatt

To produce rehearsal CDs in preparation for an evening concert by the Gwen Wyatt Chorale at Hamilton High School Academy of Music in Los Angeles in March 2007.

2006 Fourth Quarter

Gwendolyn Wyatt

To include four LA-based singers in a choral performance at Carnegie Hall in New York in spring 2010.

2010 First Quarter

Raphael Xavier

To hire a drummer and violinist for a hip hop performance at New York University in fall 2010.

2010 Second Quarter

Bryan Yamami

To hire two collaborators, in multimedia design and taiko/electronica music composition, for a performance of TAIKOPROJECT at the Gammage Auditorium at Arizona State University, Tempe, Arizona in November 2003.

2003 Third Quarter

Meeson Pae Yang

For additional materials to expand the installation Encoding as part of the exhibition Systems Theory at the Torrance Museum of Art in California in January 2008.

2007 Fourth Quarter

Marianna Yarovskaya

For final editing and subtitling of documentary film “The Shamans of Altai” to be screened in Paris, Belgrade, Amsterdam, Madrid and Brussels as part of the Europe Around Europe Festival in fall 2009.

2009 Second Quarter

Marianna Yarovskaya

For audio sweetening and digital post-production of the documentary film, Holy Warriors, to be screened at the European Film Festival in Paris and at Emory University in Atlanta in spring 2006.

2006 First Quarter

George Yepes

For the rental of an anti-graffiti machine and scaffolding equipment for use in the production of the mural, A Harmony and Histories, at the Central Elementary School in Escondido, California to be completed in the Spring of 2001.

2000 Third Quarter

Norman Yonemoto

To engage a composer and to complete a sound mix for the video, Contextually Yours, to premiere at Track 16 Gallery in Santa Monica, California in February 2006.

2005 Fourth Quarter

Cheng-Chieh Yu

To support the cost of costumes and sets for the dance, Huayi, to be performed as part of the Chinese Festival of the Arts in Singapore at the Esplanade—Theatres on the Bay in January 2004.

2003 Fourth Quarter

Linda Yudin

To engage a costume designer and for costume construction for the presentation of the full-length concert “Feet on the Ground/Aiye” by Viver Brasil at the Ford Amphitheatre in summer 2009.

2009 Second Quarter

Linda Yudin

To support fees for a choreographer and collaborating artists as well as costume expenses related to a dance performance in the Los Angeles Dance Invitational at the Wilshire Ebell Theater in June, 2001.

2001 Second Quarter

Linda Yudin

To hire a lighting designer and support costume design for the premier of the dance work, Bahia: Land of Magic, by the Viver Brasil Dance Company as part of Summer Nights at the Ford in Los Angeles in summer 2003.

2003 Second Quarter

Paul Zaloom

To hire a lighting designer and to cover costs of shipping additional props for the the new comic puppet spectacle, Mighty Nice, to be performed at the Black Sheep Puppet Festival in Pittsburgh in fall 2003.

2003 Second Quarter

Jody Zellen

To purchase a laptop computer and travel to Zagreb, Croatia for the outdoor public projections of the web-based works, Ghost City and Visual Chaosat the Urban Festival in Zagreb in August 2002.

2002 Second Quarter