Awardees

Cristian Amigo

To support fees for musical collaborators, rehearsal time and an enhanced sound system for concerts at the Armory Center for the Arts and Plaza Methodist Church in fall 2002 as part of the World Festival of Sacred Music.

Third Quarter

Elia Arce

For lighting design, props and digital design for her solo performance of First Woman on the Moon at the International Theater Festival of Los Angeles in fall 2002.

Third Quarter

Lynne Berman

For materials and fees for professional plastic and metal fabrication for the exhibition, Sprawl, at the Contemporary Arts Center in Cincinnati in spring 2002.

First Quarter

Enid Baxter Blader

To support a final sound mix for the film/video piece, Letter From the Girl, Mailed at the Gas Station, to be screened at Location One in New York City in winter 2002.

Third Quarter

Clayton Campbell

For installation costs and travel to oversee an exhibition of paintings at the UNESCO Hall of Honor in Paris, France in June 2002.

First Quarter

Mona Jean Cedar

For rehearsal space and fees for a percussionist for a dance choreographed in sign language, to be presented at Gallaudet University in July 2002.

Second Quarter

Erin Cosgrove

For digital design of a book cover and proofreading of the artist's visual books, Seven Romance Novels, to be presented at Printed Matters in New York in September 2002.

Second Quarter

Caryl Davis

For rental and purchase of equipment to spray mud as part of the exhibition unDrawn—Unusual Approaches to Drawing as part of the at the Brewery Project in Los Angeles in winter 2002.

Third Quarter

Tina Demirdjian

To support fees for a graphic artist and editor toward completion of a book of poetry, to be read and distributed at the Glendale Central Library in winter 2002.

Third Quarter

Arthur Dong

To upgrade the film, Family Fundamentals, to 35mm format, for screening in summer 2002 at the Cleveland Film Festival, the Turin International Gay & Lesbian Film Festival in Torino, Italy, IFP West's Project Involve and Outfest in Los…

First Quarter

Heidi Duckler

To support fees for a technical director and lighting designer for the site-specific dance performance, Shoot the Messenger, at the Herald Examiner Building in Los Angeles in spring 2002.

First Quarter

Marcy Freedman

For travel to Paris to create a site-specific sculpture as part of an exhibition at the Galerie g-module in fall 2002.

Third Quarter

Geoff Gallegos

To purchase music supplies and hire a music copyist to prepare scores for a performance of the 70-piece Dakah Hip Hop Orchestra at Grand Performances in Los Angeles in August 2002.

Second Quarter

Maria Gillespie

To support fees for dancers and rehearsal space in preparation for a dance concert at Highways Performance Space in Los Angeles in February 2003.

Fourth Quarter

Kevin Hass

For the costs of printing and matting new work for an exhibition at the Irene Carlson Gallery of Photography at the University of LaVerne in LaVerne, California in January 2003.

Fourth Quarter

LeVan Hawkins

To support travel, graphic design and video editing to add internet chat rooms to the performance of In 30 Days, at Dixon Place Theater in New York in July 2002.

Second Quarter

Micol Hebron

To produce a catalog to accompany a solo video installation in the McBean Gallery of the San Francisco Art Institute in early 2003.

Fourth Quarter

Carolyn Kay

To support the construction of mirrored walls for a solo installation, the artist's first, at cherrydelosreyes gallery in Los Angeles in spring 2002.

First Quarter

Lauren Kearns

To purchase a projector to enable the incorporation of interactive video components in a dance performance featured in the Brand Library Dance Series in Glendale, California in February 2003.

Fourth Quarter

Soo Jin Kim

To support transfer of the video Comfort Me to DVD format and the artist's travel to Korea to participate in symposia related to a screening at the Gwangiu Biennale in spring 2002.

First Quarter

Marco Larsen

For the purchase of sound equipment for the installation, The Resurrection of Tigilau, at the Galeria de la Raza in San Francisco in fall 2002.

Third Quarter

Anne LeBaron

To support an additional recording session for the music/sound component of the theater work, On earth as it is in heaven, produced by About Productions at the 24th Street Theater in Los Angeles in fall 2002.

Third Quarter

Betty Lee

To support the development of a web component for the exhibition, Finding Family Stories, at the Japanese American National Museum, the Chinese American Museum, the California African American Museum and Self-Help Graphics in the spring and…

Fourth Quarter

Tim Miller

To add video projection and lighting design to the new performance work, Us, at the LA Theater Center in June 2002.

First Quarter

Gifford Myers

For the costs of fabricating a fiberglass sphere for the sculpture, Globalization, to be exhibitied as part of a solo show at the Armory Center for the Arts in January 2003.

Fourth Quarter

John Pennington

To support costume reconstruction and documentation of Dances Before God, an historic recreation of a dance suite by the German modern dance pioneer Harald Kreutzberg at the Tanzwoche Festival in Dresden, Germany in June 2002.

Second Quarter

Carlos Rodriguez

For the purchase of digital signal processors to be used in musical compositions commissioned by the Los Angeles Chamber Ballet for a new dance work at the Luckman Auditorium at Cal State Los Angeles in spring 2003.

Fourth Quarter

William Roper

To pay for rehearsal space and fees for a studio engineer to remix a soundscape for a retrospective concert of works for solo tuba and clarinet at the Meridian Gallery in San Francisco in October 2002.

Second Quarter

Connie Samaras

To print and frame four additional works to be included in the Adaline Kent Awardee solo exhibition, Angelic States—Event Sequence, at the Walter and McBean Galleries at the San Francisco Art Institute in the summer of 2002.

Second Quarter

Monikka Stallworth

To support a final sound mix for the short film, Mello´s Kaleidoscope, to be screened by Blackfilm.com as part of the Midnight Screening Series at Lincoln Center in New York in fall 2002.

Third Quarter

George Stone

To support the costs of transferring video works to DVD for a solo retrospective at the Barnsdall Municipal Art Gallery in Los Angeles in 2003.

Fourth Quarter

Lisa Tan

To frame a large print and to hire an assistant for the installation of site-specific work in an exhibition at the Sweeney Art Gallery at the University of Riverside in Riverside, California in March 2003.

Fourth Quarter

Melissa Thorne

For the construction of special panels and frames related to a solo exhibition of paintings at the Devin Borden Hiram Butler Gallery in Houston, Texas in summer 2002.

First Quarter

Jeff Warrin

To support a craftsman's fees and materials to build special screens for an “expanded cinema” presentation of, All Pieces of a River Shore, at the Whitney Biennial in spring 2002.

First Quarter

Terry Wolverton

To hire a graphic designer and support production of The Sense of Site, a collection of literary works to be presented as postcards and distributed at restaurants, coffee houses, fitness centers and retail establishments throughout Los…

Second Quarter

Jody Zellen

To purchase a laptop computer and travel to Zagreb, Croatia for the outdoor public projections of the web-based works, Ghost City and Visual Chaosat the Urban Festival in Zagreb in August 2002.

Second Quarter