Awardees

Elia Arce

For the construction of props, rehearsal space rental and the purchase of a traveling computer projector for the solo performance of First Woman on the Moon, to be performed at the Casa de Las Americas / Mayo Teatro Festival in Cuba in…

First Quarter

Deborah Aschheim

For materials and labor to expand her solo exhibition, Neural Architecture, at the Laguna Art Museum in spring 2004 into an adjacent gallery space.

First Quarter

Maria Bodmann

To extend the length of the shadow puppet play, Alice in the Shadows, into a full-length work with the addition of two performers, and to move the production outdoors for a production in Chandler, Arizona in June 2004 as part of the…

Second Quarter

Jessica Catron

For travel and to support the cost of transporting a cello to the Sonic Boom Festival in Vancouver, British Columbia, where she will perform as a guest soloist in spring 2004.

First Quarter

Misty Cervantes

To print, laminate and frame three additional large-scale photographs for the solo exhibition about close-knit associations among gang members, Family Connections, at the 825 Gallery in Santa Monica, California in the fall of 2004.

Second Quarter

Stacie Chaiken

To engage Israeli bassist Eli Magen and his trio for live accompaniment to her plays, Looking for Louie and Sarah Laughs, to be performed at the Center for Jewish Culture and Creativity in Israel in summer 2004.

First Quarter

Jennifer Cho

For final sound mixing and DVD transfer of the documentary film, Revisiting East Adams, for screening at Visual Communications in Los Angeles in June 2004.

Second Quarter

Prince Diabate

To engage two guest musicians from Guinea to participate in the artist's closing concert at the International Nuits d'Afrique Festival in Montreal in July 2004.

Second Quarter

Sam Easterson

To purchase micro-cameras and to cover costs associated with attaching helmet-mounted videos to bugs for the exhibition, Bug Eyed: Art, Culture, Insects at the the Turtle Bay Exploration Park in Redding, California in summer and fall 2004. …

First Quarter

Harris Eisenstadt

For lodging and per diems to enable the jazz artist's scheduled performance at Roda Sten in Sweden to be extended to a European tour, with additional performances with the London Improvisers Orchestra and Dal Niente Projects in England; the…

Second Quarter

Monica Favand

To hire collaborators in music, sound and video to be incorporated in the dance work Breath and Bone, to be performed at the Ivy Substation in Culver City, California in fall 2004.

Third Quarter

Robbert Flick

To purchase ColdFusion software and programming for the creation of a multimedia website in conjunction with the artist's 30-year retrospective at the Los Angeles County Museum of Art in the fall of 2004.

Second Quarter

Charles Gaines

To purchase materials for a diorama to be part of a solo retrospective at Triple Candie in New York in spring 2004.

First Quarter

Janie Geiser

For workprint, splicing and optical timing of her film Vapor Drama, to be premiered at the Museum of Modern Art in New York in January 2005.

Fourth Quarter

Todd Gray

To make one additional large-scale color photographic installation as part of the California Mission series, to be included in a 20-year retrospective at the Luckman Gallery in Los Angeles in fall 2004.

Third Quarter

Karl Haendel

To hire a studio assistant and to cover the cost of framing large-scale drawings for inclusion in the 2004 California Biennial at the Orange County Museum of Art in fall 2004.

Third Quarter

Christopher Heenan

For multi-speaker system rental, rehearsal space and fees for collaborators related to the performance of a new work for guitar and electronically processed clarinet at the Festival with No Fancy Name, to be presented by Experimental…

Fourth Quarter

Karen Koblitz

For the crating and shipping of two ceramic artworks for inclusion in a solo exhibition at the all Russian Museum of Decorative, Applied and Folk Arts in Moscow in summer 2004.

Second Quarter

Cindy Kolodziejski

For framing, shipping and travel costs to enable the inclusion of additional drawings and ceramic works in an exhibition at the Norther Clay Center in Minneapolis, Minnesota in summer 2004.

First Quarter

Yiuwing Lam

For surround sound and optical track printing of the short film, Rupture, to be premiered by Visual Communications in Los Angeles in January 2005.

Fourth Quarter

Laura Larson

For the construction and upholstery of a couch and other props to be part of a solo show at HAUS Gallery in Pasadena, California in February 2005.

Fourth Quarter

Marianne Magne

To purchase two video projectors to allow expansion of a multi-dimensional work to be included in the group exhibition Bio-Ballistic at the Los Angeles Municipal Gallery at Barnsdall Arts Park in fall 2004.

Third Quarter

Barak Marshall

For costume and set design, music editing and studio rental in preparation for the premiere of new choreography with De De Dance in Tel Aviv, Israel in February 2005.

Fourth Quarter

Oliver Mayer

For travel and per diem for a collaborating actor, and fees to engage a set/costumer designer, for a workshop presentation of the play, Dias Y Flores, at the Black Dahlia Theatre in Los Angeles in summer 2004.

Second Quarter

Patrick Nickell

For lodging and per diem during a stay to oversee the installation of a mid-career survey of the artist’s sculpture at the University of Texas at San Antonio Art Gallery in January 2005.

Fourth Quarter

Ruben Ochoa

To purchase an automotive turntable for the sculptural installation of Class: C, a tortilla delivery van-turned gallery, as part of the Orange County Museum of Art's 2004 California Biennial in Newport Beach, California in fall 2004.

Second Quarter

Ruby Osorio

For studio rental in advance of her first solo museum show and advance travel to the venue to prepare for an installation scheduled for March 2005 at the Museum of Contemporary Art in St. Louis.

Fourth Quarter

Patricia Payne

To purchase a video projector to enable the inclusion of projected images as part of a spoken word performance at WordFest: Banff-Calgary International Writers Festival in Canada in fall 2004.

Third Quarter

Lionel Popkin

To support the costs of additional rehearsals for the performance of the dance, And Then We Eat, for presentation at Jacob's Pillow Dance Festival in August 2004.

Second Quarter

Martha Ramirez-Oropeza

For rental of sound and lighting equipment and stipends for a director and assistant director for the performance of the Pastorela at the Social and Public Art Resource Center in Venice, California in December 2004.

Fourth Quarter

Ken Roht

For the construction of a sculptural boat to be used as a set piece for the performance of the music theater piece, Echo’s Hammer, at the Theatre at Boston Court in Pasadena, California in spring 2005.

Fourth Quarter

Daniel Rothman

To hire an electrical engineer and a lighting designer to assist in the production of a large-scale sound and light installation at the Nachtspeicher arts festival, produced by the Verien in Gründug in Bremen, Germany in fall 2004.

Second Quarter

Michael Sakamoto

For lighting design and additional rehearsal space rental in preparation for the performance of the ensemble work, The Rite of Spring, at the Theatre of Yugen in San Francisco in February 2005.

Fourth Quarter

Eric Saks

For audio sweetening of video works created in collaboration with Patrick Tierney, to be premiered at REDCAT Theatre in spring 2004.

First Quarter

Eduardo Sarabia

For the rental and transportation of props to be included in an installation as part of a solo exhibition at 404 Arte Contemporanea in Naples, Italy in fall 2004.

Third Quarter

Barbara Smith

For post-production and editing of a video art work to be included in a solo retrospective exhibition, The 21st Century Odyssey Part II: The Performances of Barbara T. Smith, at the Pomona College Museum of Art in spring 2005.

Fourth Quarter

Lisa Tan

For the framing and shipping of a large photographic print, and for travel to oversee the installation of work as part of a group show at Artists Space in New York in fall 2004.

Third Quarter

Haruko Tanaka

To cover the costs of DVD transfer of the film, California Telephone, and travel to the Women of Color Film Festival at the Pacific Film Archive in Berkeley in spring 2004.

First Quarter

Elizabeth Tobias

To support the cost of props and costume design and fabrication for the performance of the interactive theater work Dia de los Muertos – Cuenta de mi Familia at the Powerhouse Theater in Santa Monica, California in fall 2004.

Third Quarter

Roger Triana

For special framing of photographs to be exhibited at the Latino Art Museum in Pomona, California in spring 2004.

First Quarter

Monique van Genderen

For the shipping of five panel paintings to be included in the artist's installation at the Corcoran Gallery of 48th Biennial in Washington DC in spring 2005.

Fourth Quarter

Daniel Wheeler

To hire an assistant for the installation of the large scale work You Are Here at the Ben Maltz Gallery of the Otis Art Institute in Los Angeles in spring 2004, and to incorporate performances by Liz Young into the solo exhibition.

First Quarter

Elizabeth Wilder

To enable the artist to attend the production of her play Fresh Kills at the Royal Court Theater in London in fall 2004.

Third Quarter

Dee Williams

To create a catalogue as a working component of the exhibition East First Street to take place at Art 2102 in East Los Angeles in fall 2004.

Third Quarter

Meg Wolfe

For the fireproofing of sets and purchase of a digital video camera to facilitate the bi-coastal preparation for the dance work Stormy Days with Josephine, to be presented at Danspace Project at St. Mark’s in New York in fall 2004.

Third Quarter

Kristina Wong

To hire a director/dramaturg and a technical director for the performance of her solo show, Free?, at La Peña Cultural Center in Berkeley, California in spring 2004.

First Quarter