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Cathy Akers
For lighting and diorama-making supplies to expand the scale of the Evolution installation at Honor Fraser Gallery in Culver City, California in spring 2008.Fourth Quarter
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Richard Alger
To engage a graphic designer and add a video component to the premier of the theater work, Monster of Happiness, at the 24th Street Theatre in Los Angeles in summer 2007.First Quarter
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Kirsten Alker
To engage a dramaturg, lighting designer and for costuming for the movement-theater piece A Little of More at the Theatre of Yugen in San Francisco in April 2008.Fourth Quarter
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Ronald Allen
To engage a director, designers and musicians for the production of the play Eyemouth Graffiti Bodyshop at Theatre of Note in Los Angeles in spring 2008.Fourth Quarter
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Ana Maria Alvarez-Lowe
For the production of a video backdrop for the performance I Dream America by Contra-Tiempo dance company at the Unknown Theater in Los Angeles in summer 2007.Second Quarter
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Jacki Apple
To create a digital photo montage to add to the exhibition Women Artists of Southern California: Then and Now, at Track 16 Gallery in Santa Monica, California in summer 2007.First Quarter
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Deborah Aschheim
To extend a solo sculpture exhibition at the Laumeier Sculpture Park into an outdoor garden space, in the winter and spring of 2008.Third Quarter
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Dave Hullfish Baily
To make a handcrafted lamp and to ship work for exhibition in the Biennale D’Art Contemporain de Lyon in the fall of 2007.Third Quarter
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Kelly Barrie
To manufacture and install a mural and to travel to New York for the exhibition Nina in Position at Artists Space in January 2008.Third Quarter
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Natalie Bookchin
To hire sound and title designers for the enhancement of a work of video projections to be included in the Ingenuity Festival in Cleveland in summer 2007.Second Quarter
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Joyce Campbell
For construction of a custom shelf and production of a guidebook in association with the solo exhibition LA Botanical at Gallery 727 in Los Angeles in summer 2007.First Quarter
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Amy Campion
To engage a graffiti artist, a DJ and a costume designer for the multimedia breakdancing performance, Breaking the Cypher, at the Ford Amphitheatre in Los Angleles in fall 2007.Second Quarter
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Leilani Chan
To engage a martial artist/choreographer and a scenic designer for the theatrical premier of Refugee Nation at the Cambridge Multicultural Arts Center in Massachusetts in the fall of 2007.Third Quarter
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YaYa Chou
To fabricate 25 hand-blown brown glass bottles for the sculpture installation, Color Based, at Dangerous Curve Gallery in Los Angeles in summer 2007.Second Quarter
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Kevin Cooper
To add percussion, organ and harp to a musical concert at the Ruth B. Shannon Center for Performing Arts in Whittier, California in spring 2008.Fourth Quarter
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Beatriz Da Costa
To engage a video collaborator and produce of a documentary video for the electronic installation of PigeonBlog as part of the Inter-Society for Electronic Arts Festival at the Andalusian Centre of Contemporary Art in Sevilla, Spain in…First Quarter
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Sandra De la loza
To engage an animator and illustrator for a video installation as part of the exhibition Phantom Sightings: Art After the Chicano Movement at the Los Angeles County Museum of Art in April 2008.Fourth Quarter
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Steven Deo
To rent a truck to transport the installation “Bare Trees” to the exhibition Weather Report: Art & Climate Change at the Boulder Museum of Contemporary Art in Colorado in the fall of 2007.Third Quarter
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Arthur Dong
For Dolby soundtrack mastering of the film Hollywood Chinese to be screened at the Toronto International Film Festival, the Vancouver International Film Festival and the Goteborg International Film Festival in the fall of 2007 and winter of…Third Quarter
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Carol Es
To travel to Houston to oversee installation of fragile pen and ink works in a solo show at the Koelsch Gallery in Houston in fall 2007.Second Quarter
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John Espinosa
To make special clear resin castings and to build storage tanks for Odd Sympathy, a one-person exhibition at Sandroni Rey Gallery in Los Angeles in fall 2007.Second Quarter
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Tobias Forrest
For construction of special set elements for the production of the theater work Pyretown at Playwrights Arena in Los Angeles in summer 2007.First Quarter
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Wanda Gala
For live music and the construction of handcrafted puppets for the performance of Les Biches at Highways Performance Space in Santa Monica, California in spring 2007.First Quarter
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Geoff Gallegos
For rehearsal fees for additional rehearsal in preparation for a concert by the artist's Dakah Hip Hop Orchestra at Bovard Auditorium at the University of Southern California in Los Angeles in spring 2007.First Quarter
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Megan Geckler
To support enhanced lighting of a window installation to be exhibited by Bert Green Fine Art at the corner of 5th and Main Streets in Los Angeles for the 2008 year.Fourth Quarter
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Maria Gillepsie
To upgrade costumes and lighting design for Oni Dance’s presentation at Joyce SoHo in New York City in January 2008.Fourth Quarter
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Alexandra Grant
For materials to expand the scale of an installation for the exhibition Double-Take: The Poetics of Illusion and Light at the Contemporary Museum in Baltimore in winter 07 – spring 08.Fourth Quarter
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Jesus Guzman
To hire a director, lighting and graphic designers and for set construction for a performance by Mariachi Los Comperos de Nati Cano at UCLA Live in Los Angeles in November of 2007.Third Quarter
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Fritz Haeg
To hire a photographer and a videographer to document the growth of an edible garden in London, linking it to the exhibition Global Cities in the Turbine Hall of the Tate Modern in London in summer 2007.Second Quarter
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Kelly Hargraves
For color correction and sound editing of the film CARGO, to be screened at the Dance on Camera Festival in Salt Lake City, the Cypress International Film Festival in Greece, and the American Dance Festival-Screendance in Raleigh, North…First Quarter
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Mary Beth Heffernan
To produce four posters for The Solider’s Skin: An Endless Edition, to be exhibited at the Pasadena City College Art Gallery as part of the Arts and Ideas Festival in fall 2007.Second Quarter
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Alison Heimstead
To engage a composer and two live musicians for the puppetry piece, The Saint Plays, to be performed at Open Eye Theater in Minneapolis in summer 2007.Second Quarter
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Kiel Johnson
To purchase a saw, motors and other materials related to the completion of a large-scale installation for exhibition at the Santa Barbara Contemporary Arts Forum in fall 2007.Second Quarter
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Annetta Kapon
For the purchase of a wireless digital video projector and to engage a writer in association with a 25-year video retrospective of the artist's work in Camac Art Gallery in Marnay Sur Seine in France in spring 2007.First Quarter
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Carole Kim
For video monitors, cable and sharktooth scrim for an interdisciplinary performance as part of the Spring Wave Festival in Seoul, Korea in spring 2007.First Quarter
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Regina Klenjoski
For additional dancers and live musicians for the dance work The Museum Project, Triptych: Feet on Concrete at the Long Beach Museum of Art in California February 2008.Fourth Quarter
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Karen Koblitz
To engage a calligrapher and a weaver in Azerbaijan to fabricate a carpet for inclusion in the exhibition Facing East at L2kontemporary Gallery in Los Angeles in fall 2007.Second Quarter
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Joyce Kohl
For video editing of a companion piece to the artist's public art mobile installation at the Bakersfield airport in Bakersfield, California in spring 2007 and running continuously thereafter.First Quarter
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Dan Kwong
For fees to collaborators for production of the play, Show Me Some Stuff by Cedar Grove Productions and the Latino Theater Company at the Los Angeles Theater Center in November of 2007.Third Quarter
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Melissa Lambert
For custom face mounts of self-portraits to be included in Newtown's Medical/Arts Show at the Armory Center for the Arts in Pasadena, California and also for exhibition at the Jazz Bakery in Culver City, California in spring 2007.First Quarter
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Thomas Leabheart
To engage a scenic painter, a lighting designer and to ship costumes for the mime ensemble performance, The Apple Tree, at REDCAT in Los Angeles in summer 2007.Second Quarter
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Elizabeth Leister
To engage a collaborator for sound design and technical assistance in the production of the multimedia performance Without Risk of Excessive Loss at Beyond Baroque in Venice, California in October of 2007.Third Quarter
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Karen Liebowitz
To expand a studio door and purchase supplies to enable the production of large-scale paintings for a solo exhibition at the Rosamund Felsen Gallery in Los Angeles in the winter of 2008.Third Quarter
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Jacob Kujo Lyons
To engage live musicians for a performance by Lux Aeterna at the Alex Theatre in Glendale, California in March 2008.Fourth Quarter
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Jennifer Maisel
To engage lighting and scenic designers for the production of the theater work Birds at the Rorschach Theater in Washington DC in summer 2007.First Quarter
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David Thorne
For color correction and final audio mix of the documentary video We will live to see these things for screening at the Images Festival in Toronto, Canada and the Impact Festival in Utrecht, Holland in spring 2007.First Quarter
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Juanita Meneses
For supplies for an artists’ book as part of the exhibition Not Here or There / Ni Aqui Ni Alla at the Sam Lee Gallery in Los Angeles in February 2008.Fourth Quarter
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Yong Soon Min
For the purchase of a video projector and related equipment for the presentation of the installation Strangers to Ourselves as part of the exhibition Trauma Interrupted at Metropolitan Museum of Manila in the Philippines in summer 2007.First Quarter
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Susan Mogul
For sound mixing and sweetening of the film Driving Men for screening at the Visions de Reel in Nyon, Switzerland in April 2008.Fourth Quarter
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Ken Narasaki
For set construction and additional rehearsal space in preparation for the production of the play Innocent When You Dream at the Electric Lodge in Venice, California in October of 2007.Third Quarter
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Rebecca Niederlander
To engage two preparators and for window design related to a site-specific storefront installation in Beverly Hills by Phantom Galleries LA in summer/fall 2007.Second Quarter
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Danial Nord
For the purchase of high-tech audio system for the solo exhibition Welcome Home at HAUS Gallery in Pasadena, California in spring 2007.First Quarter
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Stephanie Nugent
To support video and music production for a dance work to premier at New Dance at Saint Joseph Ballet in February 2008.Fourth Quarter
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John Pennington
To add live music to a dance performance of Dancing the Botanical - Cross Pollination in the Arts at the Huntington Library and Gardens in San Marino, California in summer 2007.First Quarter
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Joan Perlman
To add a video installation, From Ice, to a solo exhibition of paintings at the Hafnarborg Institute of Culture and Fine Art in Iceland in summer/fall 2007.Second Quarter
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Linda Pollack
To construct a special sculptural seating unit for an interactive performance of Patriot Acts as part of the series, The Future of Nations, at the 19th Street Arts Center’s Project Room in Santa Monica, California from fall 2007 to spring…Second Quarter
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Lionel Popkin
For additional rehearsal of the evening-length choreography, Miniature Fantasies, for performance at the Getty Museum in Los Angeles in fall 2007.Second Quarter
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Paula Present
To engage set and costume designers for the premiere of the dance work, The Frame of Mind, by PTERO Dance Theatre at the Unknown Theatre in Los Angeles in summer 2007.Second Quarter
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Phil Ranelin
To engage saxophonist Wendell Harrison for the performance of the jazz work Sweets for Melba at Barnsdall Gallery Theatre in Los Angeles in spring 2007.First Quarter
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Jessica Rath
For additional speakers, sound engineering and the construction of a spiral wall for the installation Bird Knocking at the Torrance Art Museum in Torrance, California in the winter and spring of 2008.Third Quarter
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Jennifer Rochlin
To ship additional paintings and to travel to Milwaukee, Wisconsin for an exhibition at the Institute of Visual Arts in the fall of 2007.Third Quarter
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Joseph Santarromana
To hire a camera operator, a sound operator and sound sweetening for the installation “Malambing Thang” in the exhibition Humor Us at the Los Angeles Municipal Art Gallery at Barnsdall Park in the fall of 2007.Third Quarter
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Kyungmi Shin
To support a video component of the solo installation Rich in the project gallery at the 18th Street Arts Center in spring 2008.Fourth Quarter
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Susan Simpson
To engage a lighting designer and for additional rehearsal time for the performance of the puppet play Frankenstein: Mortal Toys at HERE Arts Center in New York City in January of 2008.Third Quarter
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Jim Skuldt
For amplifiers, light gels and travel to oversee the installation of Distribution I: 2-ton Speaker Cluster, Cranked at the Sculpture Center in Long Island City, New York in January of 2008.Third Quarter
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Mary Trunk
For color correction and final mix of the film Plain Art to be screened at the Fargo Film Festival in North Dakota in March 2008.Fourth Quarter
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Kristina Wong
To hire a technical director and a dramaturg for the solo show Wong Flew Over the Cuckoo’s Nest, to be performed in New York City for the National Asian American Theater Festival in summer 2007.Second Quarter
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Meeson Pae Yang
For additional materials to expand the installation Encoding as part of the exhibition Systems Theory at the Torrance Museum of Art in California in January 2008.Fourth Quarter



