RECIPIENTS 2004 2010 | 2009 | 2008 | 2007 | 2006 | 2005 | 2004 | 2003 | 2002 | 2001
| 2000
Alpha List
Fourth Quarter
Janie Geiser
$2,500
For workprint, splicing and optical timing of her film Vapor Drama, to be premiered at the Museum of Modern Art in New York in January 2005.
Monique van Genderen
$2,500
For the shipping of five panel paintings to be included in the artist's installation at the Corcoran Gallery of 48th Biennial in Washington DC in spring 2005.
Christopher Heenan
$1,700
For multi-speaker system rental, rehearsal space and fees for collaborators related to the performance of a new work for guitar and electronically processed clarinet at the Festival with No Fancy Name, to be presented by Experimental Intermedia in New York
City in March 2005.
Yiuwing Lam
$2,500
For surround sound and optical track printing of the short film, Rupture, to be premiered by Visual Communications in Los Angeles in January 2005.
Laura Larson
$2,500
For the construction and upholstery of a couch and other props to be part of a solo show at HAUS Gallery in Pasadena, California in February 2005.
Barak Marshall
$2,500
For costume and set design, music editing and studio rental in preparation for the premiere of new choreography with De De Dance in Tel Aviv, Israel in February 2005.
Patrick Nickell
$772
For lodging and per diem during a stay to oversee the installation of a mid-career survey of the artist’s sculpture at the University of Texas at San Antonio Art Gallery in January 2005.
Ruby Osorio
$2,000
For studio rental in advance of her first solo museum show and advance travel to the venue to prepare for an installation scheduled for March 2005 at the Museum of Contemporary Art in St. Louis.
Martha Ramirez-Oropeza
$2,500
For rental of sound and lighting equipment and stipends for a director and assistant director for the performance of the Pastorela at the Social and Public Art Resource Center in Venice, California in December 2004.
Ken Roht
$2,500
For the construction of a sculptural boat to be used as a set piece for the performance of the music theater piece, Echo’s Hammer, at the Theatre at Boston Court in Pasadena, California in spring 2005.
Michael Sakamoto
$1,440
For lighting design and additional rehearsal space rental in preparation for the performance of the ensemble work, The Rite of Spring, at the Theatre of Yugen in San Francisco in February 2005.
Barbara T. Smith
$2,500
For post-production and editing of a video art work to be included in a solo retrospective exhibition, The 21st Century Odyssey Part II: The Performances of Barbara T. Smith, at the Pomona College Museum of Art in spring 2005.
Third Quarter
Monica Favand
$2,500
To hire collaborators in music, sound and video to be incorporated in the dance work Breath and Bone, to be performed at the Ivy Substation in Culver City, California in fall 2004.
Todd Gray
$2,500
To make one additional large-scale color photographic installation as part of the California Mission series, to be included in a 20-year retrospective at the Luckman Gallery in Los Angeles in fall 2004.
Karl Frederick Haendel
$2,500
To hire a studio assistant and to cover the cost of framing large-scale drawings for inclusion in the 2004 California Biennial at the Orange County Museum of Art in fall 2004.
Marianne Magne
$2,397
To purchase two video projectors to allow expansion of a multi-dimensional work to be included in the group exhibition Bio-Ballistic at the Los Angeles Municipal Gallery at Barnsdall Arts Park in fall 2004.
Patricia Payne
$1,795
To purchase a video projector to enable the inclusion of projected images as part of a spoken word performance at WordFest: Banff-Calgary International Writers Festival in Canada in fall 2004.
Eduardo Sarabia
$2,400
For the rental and transportation of props to be included in an installation as part of a solo exhibition at 404 Arte Contemporanea in Naples, Italy in fall 2004.
Lisa Tan
$2,450
For the framing and shipping of a large photographic print, and for travel to oversee the installation of work as part of a group show at Artists Space in New York in fall 2004.
Elizabeth Tobias
$2,500
To support the cost of props and costume design and fabrication for the performance of the interactive theater work Dia de los Muertos – Cuenta de mi Familia at the Powerhouse Theater in Santa Monica, California in fall 2004.
Elizabeth Gregory Wilder
$2,410
To enable the artist to attend the production of her play Fresh Kills at the Royal Court Theater in London in fall 2004.
Dee Williams
$1,558
To create a catalogue as a working component of the exhibition East First Street to take place at Art 2102 in East Los Angeles in fall 2004.
Meg Wolfe
$2,500
For the fireproofing of sets and purchase of a digital video camera to facilitate the bi-coastal preparation for the dance work Stormy Days with Josephine, to be presented at Danspace Project at St. Mark’s in New York in fall 2004.
Second Quarter
Maria Bodmann
$2,500
To extend the length of the shadow puppet play, Alice in the Shadows,
into a full-length work with the addition of two performers, and to move
the production outdoors for a production in Chandler, Arizona in June
2004 as part of the Puppeteers of America's Pacific Southwest Regional
Festival.
Misty Cervantes
$1,328
To print, laminate and frame three additional large-scale photographs
for the solo exhibition about close-knit associations among gang members,
Family Connections, at the 825 Gallery in Santa Monica, California
in the fall of 2004.
Jennifer Cho
$1,800
For final sound mixing and DVD transfer of the documentary film, Revisiting
East Adams, for screening at Visual Communications in Los Angeles
in June 2004.
Prince Diabate
$2,500
To engage two guest musicians from Guinea to participate in the artist's
closing concert at the International Nuits d'Afrique Festival in Montreal
in July 2004.
Harris Eisenstadt
$2,500
For lodging and per diems to enable the jazz artist's scheduled performance
at Roda Sten in Sweden to be extended to a European tour, with additional
performances with the London Improvisers Orchestra and Dal Niente Projects
in England; the World New Music Festival and WIM Zurich in Switzerland;
with FRIM in Sweden; and with Eric Boeren in Amsterdam, in the fall of
2004.
Robbert Flick
$2,500
To purchase ColdFusion software and programming for the creation of a
multimedia website in conjunction with the artist's 30-year retrospective
at the Los Angeles County Museum of Art in the fall of 2004.
Karen Koblitz
$2,500
For the crating and shipping of two ceramic artworks for inclusion in
a solo exhibition at the all Russian Museum of Decorative, Applied and
Folk Arts in Moscow in summer 2004.
Oliver Mayer
$2,200
For travel and per diem for a collaborating actor, and fees to engage
a set/costumer designer, for a workshop presentation of the play, Dias
Y Flores, at the Black Dahlia Theatre in Los Angeles in summer 2004.
Ruben Ochoa
$2,500
To purchase an automotive turntable for the sculptural installation of Class: C, a tortilla delivery van-turned gallery, as part
of the Orange County Museum of Art's 2004 California Biennial in Newport
Beach, California in fall 2004.
Lionel Popkin
$1,800
To support the costs of additional rehearsals for the performance of the
dance, And Then We Eat, for presentation at Jacob's Pillow
Dance Festival in August 2004.
Daniel Rothman
$2,400
To hire an electrical engineer and a lighting designer to assist in the
production of a large-scale sound and light installation at the Nachtspeicher
arts festival, produced by the Verien in Gründug in Bremen, Germany
in fall 2004.
First Quarter
Elia Arce
$2,500
For the construction of props, rehearsal space rental and the purchase of a traveling computer projector for the solo performance of First Woman on the Moon, to be performed at the Casa de Las Americas / Mayo Teatro Festival in Cuba in spring 2004.
Deborah Aschheim
$2,500
For materials and labor to expand her solo exhibition, Neural Architecture,
at the Laguna Art Museum in spring 2004 into an adjacent gallery space.
Jessica Catron
$1,255
For travel and to support the cost of transporting a cello to the Sonic
Boom Festival in Vancouver, British Columbia, where she will perform as
a guest soloist in spring 2004.
Stacie Chaiken
$2,500
To engage Israeli bassist Eli Magen and his trio for live accompaniment
to her plays, Looking for Louie and Sarah Laughs, to be performed
at the Center for Jewish Culture and Creativity in Israel in summer 2004.
Sam Easterson
$2,400
To purchase micro-cameras and to cover costs associated with attaching
helmet-mounted videos to bugs for the exhibition, Bug Eyed: Art, Culture,
Insects at the the Turtle Bay Exploration Park in Redding, California
in summer and fall 2004.
Charles Gaines
$2,500
To purchase materials for a diorama to be part of a solo retrospective
at Triple Candie in New York in spring 2004.
Cindy Kolodziejski
$1,270
For framing, shipping and travel costs to enable the inclusion of additional
drawings and ceramic works in an exhibition at the Norther Clay Center
in Minneapolis, Minnesota in summer 2004.
Eric Saks
$2,500
For audio sweetening of video works created in collaboration with Patrick
Tierney, to be premiered at REDCAT Theatre in spring 2004.
Haruko Tanaka
$1,148
To cover the costs of DVD transfer of the film, California Telephone,
and travel to the Women of Color Film Festival at the Pacific Film Archive
in Berkeley in spring 2004.
Roger Triana
$775
For special framing of photographs to be exhibited at the Latino Art Museum
in Pomona, California in spring 2004.
Daniel Wheeler
$2,500
To hire an assistant for the installation of the large scale work You
Are Here at the Ben Maltz Gallery of the Otis Art Institute in Los
Angeles in spring 2004, and to incorporate performances by Liz Young into
the solo exhibition.
Kristina Wong
$2,500
To hire a director/dramaturg and a technical director for the performance
of her solo show, Free?, at La Peña Cultural Center in Berkeley,
California in spring 2004.
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