Stanya Kahn

For sound engineering, titles and to travel to Berlin to supervise the installation of Can’t Swallow It, Can’t Spit It Out at the Galerie Carlier-Gebauer in January 2007.

Marie Jager

For the transfer of HD video to 16 mm film and looping apparatus for the exhibition of new media work at the California Biennial at the Orange County Museum of Art in Newport Beach in fall 2006.

Heather Woodbury

To create a companion exhibition of archival photographs and other mementos in conjunction with the premier of her play, Tale of 2 Cities: An American Joyride on Multiple Tracks, at the Freud Playhouse as part of UCLA Live in Los Angeles and at PS 122 in New York City in fall 2006.

Mara Lonner

For the cost of machine cut stencils to be part of a solo exhibition at the Cue Art Foundation in New York City in March 2006.

Emiko Susilo

To support travel for two musical collaborators, from Hawaii and New York, to perform with the APPEX (Asian Pacific Performance Exchange) Ensemble as part of the World Festival of Sacred Music at the Japanese American National Museum in Los Angeles in the fall of 2005.

Sam Easterson

To purchase micro-cameras and to cover costs associated with attaching helmet-mounted videos to bugs for the exhibition, Bug Eyed: Art, Culture, Insects at the the Turtle Bay Exploration Park in Redding, California in summer and fall 2004.

Ken Roht

For the construction of a sculptural boat to be used as a set piece for the performance of the music theater piece, Echo‰Ûªs Hammer, at the Theatre at Boston Court in Pasadena, California in spring 2005.

Todd Gray

To make one additional large-scale color photographic installation as part of the California Mission series, to be included in a 20-year retrospective at the Luckman Gallery in Los Angeles in fall 2004.

Patrick “Pato” Hebert

To support the costs of printing and mounting additional lenticular photographic prints for the exhibition, Finding Family Stories, at the Japanese American National Museum and other Los Angeles venues beginning in March, 2003.

Michael Mizerany

To add a live percussion band to the performance of the dance work The Man Clan at Summer Nights at the Ford in Los Angeles in summer 2003.