Tobias Forrest
For construction of special set elements for the production of the theater work Pyretown at Playwrights Arena in Los Angeles in summer 2007.
Ronald Allen
To engage a director, designers and musicians for the production of the play Eyemouth Graffiti Bodyshop at Theatre of Note in Los Angeles in spring 2008.
Amy Campion
To engage a graffiti artist, a DJ and a costume designer for the multimedia breakdancing performance, Breaking the Cypher, at the Ford Amphitheatre in Los Angleles in fall 2007.
Deborah Aschheim
To extend a solo sculpture exhibition at the Laumeier Sculpture Park into an outdoor garden space, in the winter and spring of 2008.
Ron Athey
To engage a cameraman and to produce and incorporate a video component for his live performance of Incorruptible Space [Disassociative Sparkle] at New York University in spring 2006.
Stanya Kahn
For sound engineering, titles and to travel to Berlin to supervise the installation of Can’t Swallow It, Can’t Spit It Out at the Galerie Carlier-Gebauer in January 2007.
Marie Jager
For the transfer of HD video to 16 mm film and looping apparatus for the exhibition of new media work at the California Biennial at the Orange County Museum of Art in Newport Beach in fall 2006.
Heather Woodbury
To create a companion exhibition of archival photographs and other mementos in conjunction with the premier of her play, Tale of 2 Cities: An American Joyride on Multiple Tracks, at the Freud Playhouse as part of UCLA Live in Los Angeles and at PS 122 in New York City in fall 2006.
Mara Lonner
For the cost of machine cut stencils to be part of a solo exhibition at the Cue Art Foundation in New York City in March 2006.
Emiko Susilo
To support travel for two musical collaborators, from Hawaii and New York, to perform with the APPEX (Asian Pacific Performance Exchange) Ensemble as part of the World Festival of Sacred Music at the Japanese American National Museum in Los Angeles in the fall of 2005.