Karen Schwenkmeyer
To purchase a digital printer and supplies, enabling a transfer from analog to digital prints, for photographs to be presented in the exhibition, Sketchbook, at Pierce College in Woodland Hills, California in March, 2003.
Linda Yudin
To hire a lighting designer and support costume design for the premier of the dance work, Bahia: Land of Magic, by the Viver Brasil Dance Company as part of Summer Nights at the Ford in Los Angeles in summer 2003.
Soo Jin Kim
To support transfer of the video Comfort Me to DVD format and the artist’s travel to Korea to participate in symposia related to a screening at the Gwangiu Biennale in spring 2002.
LeVan Hawkins
To support travel, graphic design and video editing to add internet chat rooms to the performance of In 30 Days, at Dixon Place Theater in New York in July 2002.
Elizabeth Bryant
For travel to Croatia in June 2001 to oversee the installation of the artist’s street banners as part of a Los Angeles/Croatia artistic exchange.
Steve Roden
To purchase speakers and support the costs of CD manufacture related to a sound installation at the MAK Center for Arts and Architecture to take place in summer, 2001.
Ming-Yuen Ma
For the final sound mix and English subtitling of Mother/Land, an experimental documentary, for exhibition at the Los Angeles Asian Pacific Film and Video Festival, May 18-25,2000, in Los Angeles.
Tony Gleaton
For travel costs to American Samoa to participate in a two-week residency at the American Samoa Community College in conjunction with a show of his photographic exhibit, Samoa: Through an Artists Eyes, in September 2000.
Kate Hutter
For additional rehearsal, movement direction and the integration of the Sonos a cappella group into the dance work ÛÏGods and MarionettesÛ by LA Contemporary Dance Company at the Ford Amphitheatre in June 2010.
Donald Jolly
To extend rehearsal of the play bonded, to be performed by PlaywrightsÛª Arena at Los Angeles Theatre Center in Spring 2011.