P. Frank Olivier Tarpaga
For a collaboratorÛªs travel and lighting design for presentation of the solo dance work ÛÏRecto-VersoÛ at the Abok I Ngoma International Festival in Cameroon in spring 2010.
Suzanne Lacy
For labor and materials to expand the scope of the exhibition ÛÏThe Performing Archive: Restricted AccessÛ at the Yerba Buena Center for the Arts in San Francisco in spring 2008.
Sarah Cain
To hire assistants for the preparation of a large-scale ephemeral work at the Five Thirty Three Gallery in Los Angeles, hosted by LAX Art, in February and March 2009.
Maire Clerkin
To engage a director and sound designer in preparation for the solo show ÛÏThe Bad Arm: Confessions of a Dodgy Irish DancerÛ at Bang Theater in Hollywood, CA in summer 2008.
Natalie Bookchin
For printing and installation of three large-scale images as part of the exhibition ÛÏNarrow Cast: Reframing Global Video 1986/2008Û at Pitzer Art Gallery in Claremont, Califorinia and LACE in Los Angeles in fall 2008.
Jacki Apple
To create a digital photo montage to add to the exhibition Women Artists of Southern California: Then and Now, at Track 16 Gallery in Santa Monica, California in summer 2007.
Phil Ranelin
To engage saxophonist Wendell Harrison for the performance of the jazz work Sweets for Melba at Barnsdall Gallery Theatre in Los Angeles in spring 2007.
Meeson Pae Yang
For additional materials to expand the installation Encoding as part of the exhibition Systems Theory at the Torrance Museum of Art in California in January 2008.
Lionel Popkin
For additional rehearsal of the evening-length choreography, Miniature Fantasies, for performance at the Getty Museum in Los Angeles in fall 2007.
Joseph Santarromana
To hire a camera operator, a sound operator and sound sweetening for the installation ÛÏMalambing ThangÛ in the exhibition Humor Us at the Los Angeles Municipal Art Gallery at Barnsdall Park in the fall of 2007.