Margaret Honda
To travel to New York to make new work for an installation at the Drawing Center in April 2004.
Eugenia Butler
To recreate a 1969 work, Last Museum Piece, and to frame several other works for a retrospective survey of the artist’s work at the Ben Maltz Gallery at Otis College of Art and Design in fall 2003.
Jeff Warrin
To support a craftsman’s fees and materials to build special screens for an ÛÏexpanded cinemaÛ presentation of, All Pieces of a River Shore, at the Whitney Biennial in spring 2002.
Connie Samaras
To print and frame four additional works to be included in the Adaline Kent Awardee solo exhibition, Angelic StatesÛÓEvent Sequence, at the Walter and McBean Galleries at the San Francisco Art Institute in the summer of 2002.
Dan Froot
To engage a director for the performance of Shlammer at the Los Angeles Theater Center on June 22 & 23, 2001.
S.E. Barnet
For tape duplication and restoration of the video installation, Mary Shelley’s Daughter, to be exhibited at the Arizona State University Art Museum in winter 2001.
Corina Gamma
For the construction of objects and the rental of video equipment to enhance work scheduled for exhibition at the Arizona State University Art Museum, in Tempe, Arizona from December 2000 – February 2001.
Ann Perich
For the rental of a digital video camera and projectors, and the purchase of related software for Ms. Perich’s performance piece, The Bride and The Bachelor, as part of The Seventh Annual Hot & Sticky Performance Extravaganza at the Highways Performance Space in Santa Monica, California from October 5 – 7, 2000.
Nina Menkes
For final sound mix and online edit of the film ÛÏDissolutionÛ for premieres at REDCAT in Los Angeles and at the Tel Aviv Cinematheque in Israel in summer 2010.
Jude Narita
For a lighting designer and stage manager for performance of ÛÏFrom the HeartÛ at the Muckenthaler Cultural Center in Fullerton, California in February 2011.