Terry Wolverton
To hire a graphic designer and support production of The Sense of Site, a collection of literary works to be presented as postcards and distributed at restaurants, coffee houses, fitness centers and retail establishments throughout Los Angeles in November 2002, under the auspices of Skylight Books.
Phyllis Douglass
For fees for a composer and performers, and for rental of a rehearsal space, for a dance concert at the Hollywood Central Performing Arts Center in Florida in March 2002.
Nicole Cousino
To hire a sound engineer for the final sound mix of Within Our Gates, a feature-length documentary to be broadcast on Free Speach TV in fall 2001.
Thomas Harris
Toward the final sound mix for the independent documentary film, That’s My Face/… Minha Cara, to be screened at the Malcolm X Library and Performing Arts Center in San Diego, California in February, 2001.
Carlos Wagmister
For the shipping of a touch screen video monitor for use in exhibiting…two, three many Guevaras, at the Archiving as Art project at the Salle Michel Journiac, Universite Paris, in Paris, France from December 6 – 16, 2000.
Brian Moss
For the production of offset prints to accompany a COLA exhibition at the Barsndall Municipal Art Gallery in Los Angeles in spring 2010.
Christine Nguyen
For materials and shipping for a salt crystallization specimens sculptural installation at the Crisp-Ellert Art Museum in St. Augustine, Florida in early 2011.
Clement Hanami
To engage an engineering consultant and for mechanization of the sculptural work ÛÏOuthouseÛ for inclusion in an exhibition at the Vince Price Art Museum in Los Angeles in fall 2010.
Asher Hartman
For music and dance elements to the performance Annie Okay at the Hammer Museum in Los Angeles, in collaboration with Machine Project, in fall 2010.
Dolce Capadocia
To engage set and costume designers for the performance of the dance drama ÛÏBihagÛfor CounterPULSEÛªs Performing Diaspora 2009 program in San Francisco in fall 2009.