Lionel Popkin
For additional rehearsal of the evening-length choreography, Miniature Fantasies, for performance at the Getty Museum in Los Angeles in fall 2007.
Joseph Santarromana
To hire a camera operator, a sound operator and sound sweetening for the installation ÛÏMalambing ThangÛ in the exhibition Humor Us at the Los Angeles Municipal Art Gallery at Barnsdall Park in the fall of 2007.
Johnny Chang
To extend his stay at Vancouver’s Pro Musica Sonic Boom Festival in March 2007 to perform a work for violin written for him by Andr̩ Cormier.
John Fleck
To hire a dramaturg, lighting designer and videographer for the premiere of Johnny’s Got a Gun at REDCAT in Los Angeles in summer 2006.
Kristin Smiarowski
To hire an event manager and extend rehearsals for a site-specific dance, Groundswell, in collaboration with composer Robert Een at the Ballona Freshwater March in Los Angeles in fall 2006.
Jordan Biren
For digital post-production and audio sweetening of two new videos, The Desoto Conquest and My MotherÛªs House, to be screened in March 2005 at the Pacific Film Archive in Berkeley, California.
David Rousseve
To transfer video to 16 mm film for the world premiere of Bittersweet as part of the Los AngelesÛª Dance Camera West Festival in summer of 2005.
Deborah Aschheim
For materials and labor to expand her solo exhibition, Neural Architecture, at the Laguna Art Museum in spring 2004 into an adjacent gallery space.
Patrick Nickell
For lodging and per diem during a stay to oversee the installation of a mid-career survey of the artistÛªs sculpture at the University of Texas at San Antonio Art Gallery in January 2005.
Lionel Popkin
To support the costs of additional rehearsals for the performance of the dance, And Then We Eat, for presentation at Jacob’s Pillow Dance Festival in August 2004.