Kristina Wong
To hire a technical director and a dramaturg for the solo show Wong Flew Over the CuckooÛªs Nest, to be performed in New York City for the National Asian American Theater Festival in summer 2007.
Jim Skuldt
For amplifiers, light gels and travel to oversee the installation of Distribution I: 2-ton Speaker Cluster, Cranked at the Sculpture Center in Long Island City, New York in January of 2008.
Yoko Iida
For post-production and sound mixing of a video to be part of a site-specific sculptural installation, Nana’s Story, at the Aichi Arts Center in Japan in February 2007.
Fritz Haeg
For the production of a video as part of the project Edible Estates, presented in fall 2006 at three venues in Los Angeles: Los Angeles Contemporary Exhibitions (LACE), Machine Project and Millard Sheets Gallery at the L.A. County Fair.
T. Kim-Trang Tran
For final audio mixing and DVD mastering of Epilogue: The Palpable Invisibility of Life, to be screened as part of a special retrospective of the artist’s work at the David Henry Hwang Theater by Visual Communications in Los Angeles in January 2007.
Dan Kwong
To collaborate with a Chinese opera artist, and to engage technical consultants for choreography, direction and lighting design for a new performance, Sleeping with Strangers, to be performed at Highways Performance Space in Santa Monica, California in February 2006.
Leslie Sloan
To incorporate stock footage and add music cues to the film High Heels on Wheels, for screenings at Outfest: The Los Angeles Gay and Lesbian Film Festival, the San Francisco International Lesbian & Gay Film Festival and at Cornerstone Theater in summer of 2005.
Stacie Chaiken
To engage Israeli bassist Eli Magen and his trio for live accompaniment to her plays, Looking for Louie and Sarah Laughs, to be performed at the Center for Jewish Culture and Creativity in Israel in summer 2004.
Martha Ramirez-Oropeza
For rental of sound and lighting equipment and stipends for a director and assistant director for the performance of the Pastorela at the Social and Public Art Resource Center in Venice, California in December 2004.
Monica Favand
To hire collaborators in music, sound and video to be incorporated in the dance work Breath and Bone, to be performed at the Ivy Substation in Culver City, California in fall 2004.