For the final sound mix and English subtitling of Mother/Land, an experimental documentary, for exhibition at the Los Angeles Asian Pacific Film and Video Festival, May 18-25,2000, in Los Angeles.
For the addition of digital/analog technology in the exhibition, Primordium: Leafy, Superman and Flo10, at the outdoor art space of the California Institute of Technology in Pasadena, from July 1 – August 26, 2000.
For the completion of the musical score for By the Hand of the Father, to be performed June 8 – 18, 2000 at Plaza de la Raza in Los Angeles.
For experimentation in video as part of the exhibition, Video Blowout!, in August of 2000 at the Crazy Space Gallery in Santa Monica.
For travel to London to oversee installation of an exhibition at the Nylon gallery in fall 2001.
For the reproduction of transparencies and a promotional postcard related to the projection of the photographic series, Connected Still, at the Laemmle Grand theaters in Los Angeles, co-presented by Side Street Projects, in fall 2001.
To support fees for a lighting designer and composer related to a puppetry performance at the Museum of Jurassic Technology in Los Angeles in fall 2001.
For costumes, studio rental, collaborator’s fees and promotion of solo dance concert at Highways Performance Space in Santa Monica, California in winter 2001.
To print oversize photographic prints for the exhibition, 14 Stations, at the Cathedral of St. John the Divine, co-presented by the Interfaith Assembly on Homelessness and Housing, in New York in January 2002.
To add a musical soundtrack to the short film, Birds, to be exhibited at the Andrea Rosen Gallery in New York in fall 2001.
To support the costs of filming a dance concert at the Performing Arts Center at California State University Northridge in fall 2001.
For an audio sound system and display text to be included in a solo exhibition at the Watts Towers Arts Center in Los Angeles in fall 2001.
To hire a sound engineer for the final sound mix of Within Our Gates, a feature-length documentary to be broadcast on Free Speach TV in fall 2001.
For tape duplication and restoration of the video installation, Mary Shelley’s Daughter, to be exhibited at the Arizona State University Art Museum in winter 2001.
To support fees for a choreographer and collaborating artists as well as costume expenses related to a dance performance in the Los Angeles Dance Invitational at the Wilshire Ebell Theater in June, 2001.
To support collaborators’ fees and travel costs related to a performance of Adam Rudolph’s Moving Pictures music ensemble at the Vision Festival in New York in June, 2001.
To purchase speakers and support the costs of CD manufacture related to a sound installation at the MAK Center for Arts and Architecture to take place in summer, 2001.
To purchase x-ray viewers for a photographic exhibition/residency with cancer patients at the Delaware Center for Contemporary Art, Hennessy Project Space in summer, 2001.
To support production costs, costumes and lighting design fees for the performance of the solo work, At First Blush, as part of the Performance Rodeo to take place at the Centre d’Art Marnay in France in July, 2001.
To support the materials costs of a banner and the production of bookmarks related to the public art project, Six Degrees: Art in the Libraries, sponsored by Side Street Projects at the Fairfax Branch of the Los Angeles Public Library during the summer 2001.